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All Right Mr. DeMille, I'm Ready For My Close-Up

	
Sep  1, 2002, 
	BY OLIVER MASCIAROTTE
	
	

	
	
This month's issue is devoted to sound tagging along with picture, and, glory hallelujah, we audio folks finally come out ahead! Pardon my exuberance...

	





	
NOTES FROM THE NET

	
Sep  1, 2002, 
	COMPILED BY SARAH BENZULY
	
	

	
	
Business Plan One: Alienate Customers. At the end of July, Reps. Howard Berman, D-Calif., and Howard Coble, R-N.C., introduced the Peer to Peer Piracy...

	





	
Cloak, No Dagger

	
Aug  1, 2002, 
	BY OLIVER MASCIAROTTE
	
	

	
	
This month, I'm talking about a controversial subject, the ephemeral rights-management chimera composed of equal parts copy control, cryptography and steganography (hiding information within apparent information). Each is distinct but part of a virtual wrapper, swaddling the content and protecting the content holder from loss of sales revenues....

	





	
NOTES FROM THE NET

	
Aug  1, 2002, 
	COMPILED BY SARAH BENZULY
	
	

	
	
The Web is greater than the sum of its parts: The International Federation of the Phonographic Industry (IFPI) released a study on June 11, that stated...

	





	
Music Recording: Moving Forward Together

	
Jul  1, 2002, 
	By Phil Ramone
	
	

	
	
Obviously, a lot has changed in the past 25 years, both in terms of the equipment we use and the way we work. I still love to get in there and work with...

	





	
MDM, CD, DASH, AIT, FireWire Pro Meets Consumer

	
Jul  1, 2002, 
	BY PAUL VERNA
	
	

	
	
In the 100 years between Thomas Edison's invention of the phonograph in 1877 and the launch of Mix, recording and playback systems took gradual, incremental...

	





	
NOTES FROM THE NET

	
Jul  1, 2002
	
		
	

	
	
OFF AGAIN, ON AGAIN: Mid-May, Napster CEO Konrad Hilbers quit because Napster rejected an offer to be bought by Bertelsmann (the same company that bailed...

	





	
NOTES FROM THE NET

	
Jun  1, 2002, 
	COMPILED BY SARAH BENZULY
	
	

	
	
Sneaky court rulings: The Ninth U.S. Circuit Court of Appeals, in late March, ordered Napster to remain offline until it can comply with an injunction...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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