Editor’s Note: It’s Getting Hot in Here
Temperatures are up all over the world this summer, and that got me thinking about what it means to be hot. It's supposed to...
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Temperatures are up all over the world this summer, and that got me thinking about what it means to be hot. It's supposed to...
Top talent comes out for the debut of MixNYC: Immersive Music Production, held at the world-class facilities of Power Station at BerkleeNYC.
Take a vacation, spend a weekend at the beach, go to a ballgame...it's time to recharge the batteries as we get ready for the...
There’s a scene in the movie School of Rock where the Jack Black character, the temp music teacher at a private school, is walking...
If there’s one thing we’ve learned over the past year of isolation, there’s no need to go it alone.
I entered the graduate journalism program at Indiana University in 1986, about seven or eight lifetimes ago in technology years. In the summer of...
My daughters like to tease me that I use a few too many ellipses in my texts and emails. “Oh yeah, dad, he’s king...
It’s been a long, long year. Same number of seconds, minutes and hours, yes, but I think we can all agree that it sure...
I believe in Science. Absolutely. And Science told us back in March that if we didn’t all take this virus thing seriously, by November...
I’m getting on an airplane Saturday morning, a little less than 24 hours from now, for the first time since January, and to say...
Acclaimed architect John Storyk reflects both the consistency of his work over five decades and the changes in his style in adapting to modern...
Immersive music is coming to the recording industry, no question about it.
In his Editor's Note for the April issue, Mix Editor Tom Kenny looks around the coronavirus landscape and wonders who is going to help...
About halfway through writing this month’s cover story on the revamp of the Newman Scoring Stage at Fox Studios, it dawned on me that...
With no traffic, Montauk is only a little more than a two-hour drive from New York City, two-forty-five if you take the Long Island...
My introduction to writing about sound for film and television, and most of the emphasis over the years, has been through post-production.
I’ve only met Linda Perry once, and it was for no more than two or three minutes last January at NAMM.
I still can’t believe that 40 years after first being mesmerized by Apocalypse Now as a 16-year-old, Mix is featuring the legendary director Francis...
I will always have a soft spot for the TEC Awards. They’re now the NAMM TEC Awards, and they’ve grown in size, stature and...
I wrote two stories this month about two artists—Carrie Underwood and Esperanza Spalding—strong women from two very different backgrounds and two very different places...
In putting together this December issue, the past came rushing back during my conversation with producer Eric Valentine and the legacy of the room...
I was introduced to a couple of remarkably disparate yet somehow similar experiences in audio education on the path to this month’s issue. In...
Every single month, in putting together issues of "Mix," I am reminded of just how many and varied styles there are to bring music...
So many, many great memories, and they all involve music.
By Tom Kenny. Times have changed, certainly, and few artists today have the luxury to book a high-end studio for more than a week...
Control Theory doesn’t often come up in casual conversation. But it’s come up for me lately, quite a bit actually, and I still have...
Last night, in Santa Fe, I had a nice dinner with David Schwartz, co-founder of Mix and the man who hired me as an...
Until very recently, Conway Recording Studios was something of a mystery to me.