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Multichannel Mic Preamps

	
Jun  1, 2003, 
	BY RANDY ALBERTS
	
	

	
	
Once considered an anomaly, multichannel mic preamps are becoming more commonplace. Why? The reasons are many, but certainly among them are a resurgence in live tracking, an increased demand for surround production, and the convenience of compact, remote location recording packages....

	





	
Stop Mousing Around!

	
May  1, 2003, 
	By Erik Hawkins
	
	

	
	
These days, with so many wonderful control surfaces available, there are few excuses not to interface with your DAW or digital audio sequencer using a mouse or computer keyboard....

	





	
Digital Consoles 2003

	
Apr  1, 2003, 
	BY RANDY ALBERTS
	
	

	
	
An alternate headline to this article might've read Old Dogs Learn New Tricks, but calling a 24-month-old digital console just didn't feel right. Legacy...

	





	
THE HARDWARE RUNDOWN

	
Mar  1, 2003
	
		
	

	
	
INS AND OUTS Unlike many systems that provide only a digital interface (which may also be proprietary), Soundscape-32 includes basic analog I/O stereo-in...

	





	
Bring Me Surround!

	
Mar  1, 2003, 
	by Randy Alberts
	
	

	
	
A mild hypnotic suggestion: The next time a ringwraith, explosion, tidal wave, symphony or laser beam leaps off of the screen and takes a lap around your...

	





	
Virtual Instrument Plug-Ins

	
Feb  1, 2003, 
	by Randy Alberts
	
	

	
	
Today, there seem to be as many virtual instrument plug-ins as there are guitars, synths, vocoders, basses, string sections and electric pianos to emulate....

	





	
Mixing With the Best

	
Jan  1, 2003, 
	By Chris Michie
	
	

	
	
A few years ago, an objective observer might have predicted the end of the large-format live mixing console. Harrison/Showco and Yamaha had both introduced...

	





	
 THE BEST OF 2002: MUSIC & SOUND EFFECTS LIBRARIES

	
Dec  1, 2002
	
		
	

	
	
What a difference a decade makes. Ten years ago, the world of production music libraries was populated by a few major, general-interest collections that...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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