Top-of-the-Line Mic Preamps

Apr 1, 2000, Roger Maycock

Mic preamps are unquestionably one of the recording studio's "essential ingredients" for capturing the best sounding signal. Whether you're looking to...

IN-EAR MONITORS

Feb 1, 2000, Mark Frink

In-Ear Monitors (IEMs) offer significant benefits for the performing musician, but they also place higher requirements on users, operators and their equipment....

MULTICHANNEL DIGITAL AUDIO WORKSTATIONS: The Latest and Greatest Contenders

Nov 1, 1999, Sarah Jones

In the world of digital audio, keeping up with new technology is anything but easy. Unlike tube gear, the market for vintage workstations is essentially...

More and More Music Libraries

Sep 1, 1999, David John Farinella

There's something very "What came first, the chicken or the egg?" about the world of music libraries. Is it the world of pop music that drives music library...

High-End Studio Monitor Shootout: ATC SCM-300A AND DUNLAVY SC-V

Aug 1, 1999, John La Grou

For some years, Millennia Media's remote recordings were edited in the corner of a small room, on smallish monitors. Before long, with annual schedules...

TOURING LOUDSPEAKERS: BUYER'S GUIDE

Jan 1, 1999, Chris Michie

Touring loudspeaker systems are a big-ticket item for any sound company, national or regional. And, unlike outboard gear or microphones, new packages...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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