Solid-State Mic Preamps

Apr 1, 2008, By Tony Nunes

The stand-alone mic preamp has survived all of the different evolutions the recording industry has undergone. With the DAW-entrenched studio, engineers...

Dynamics Processing Plug-Ins

Mar 1, 2008, By David Weiss

While most audio pros will state up front that there's nothing like hardware compressor/limiters, they can generally talk a lot longer about why there's...

Total Immersion Effects

Feb 1, 2008, By David Weiss

Feeling surrounded by sound libraries? If so, you're probably not alone. The number of packages seems to be growing by the day, and with good reason:...

Tube Mic Preamps and Channel Strips

Jan 1, 2008, By Tony Nunes

With the DAW-centric nature of production today, more recordings are being made without a console in remote locations and workstation-based studios. But...

Dedicated Digital Converters

Dec 1, 2007, By the Mix Editors

Analog-to-digital and digital-to-analog converters are processors the superaccurate portals that pros rely on in digital audio production. In the studio,...

Livin' Large

Nov 1, 2007, By George Petersen

Forty years ago, Ed Long of Calibration Standard Instruments introduced the then-revolutionary concept of the Near-Field Monitor with his MDM-4 speakers,...

Mix Power

Sep 1, 2007, By George Petersen

Just when we'd thought we'd seen it all, new digital consoles and mix controllers keep coming. The good news is that your console could be only an expansion...

Virtual Reality

Aug 1, 2007, By David Weiss

There's no denying gear lust. Audio engineers can be fanatical in their obsession with quality-built hardware. Cults have formed around vintage gear those...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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