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Remote Microphone Preamps

	
Jul  1, 2004, 
	By Strother Bullins
	
	

	
	
Among the multitude of cringe-worthy phrases heard by those working in pro audio is the venerable war-horse, Make it sound good. We've all heard someone...

	





	
Surround Monitoring Systems

	
Jun  1, 2004, 
	By Strother Bullins
	
	

	
	
Shopping for the perfect monitors is a complicated process that's unlike buying any other professional audio gear. One sizable challenge is deciding which...

	





	
Production Music Libraries In 2004

	
Apr  1, 2004, 
	By Sarah Benzuly
	
	

	
	
You've heard production music libraries everywhere: in this year's Super Bowl television commercials, trailers for Hollywood blockbusters, dramatic themes on evolving Flash intros online, creative radio spots; you name it, they've been there....

	





	
Virtual Instruments, Real Musicians

	
Feb  1, 2004, 
	By John McJunkin
	
	

	
	
Virtual this, virtual that. It seems like virtually everything is “virtual” these days....

	





	
Monitoring the Monitors

	
Dec  1, 2003, 
	By John McJunkin
	
	

	
	
With numerous monitor choices out there, we decided to look into some recent entries in the marketplace, limiting our examination to new models introduced...

	





	
Scratch, Trash, Freeze That Audio!

	
Sep  1, 2003, 
	By Randy Alberts
	
	

	
	
What if you're in the middle of the mix and your client says, “Can you make it sound a little more…exotic?” If you're at a loss for inspiration, effects plug-ins — able to morph your sounds with a single mouse-click — can come to the rescue....

	





	
Large-Diaphragm Studio Mics

	
Aug  1, 2003, 
	By Randy Alberts
	
	

	
	
>Researching some four dozen new large-diaphragm microphones that have recently come to market is the gearhead's version of a kid in a candy store....

	





	
Downsizing the Line Array

	
Jul  1, 2003, 
	by Mark Frink
	
	

	
	
The list of large-format line array speakers introduced during the past decade is well-known and well-used. But a new generation of compact systems has emerged to provide smaller venues with the benefits garnered from line arrays....

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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