Yamaha 01V96i Digital Mixing Console

Sep 1, 2012, By Steve La Cerra

Yamaha’s 01V96i mixing console expands upon the success of its predecessors (the 01V and 01V96), performing double-duty for use in live sound mixing and DAW recording. Featuring a variety of analog and digital I/O, the 01V96i maintains its 40-channel input capacity (32 mono, plus 4 stereo) even at sample rates up to 96 kHz, employing 24-bit/96k converters and 32-bit internal processing....

Grimm Audio CC1 Word Clock Sync Generator and Distributor Review

May 1, 2012, By Erik Zobler

Clocking is important in any audio setup, and for those taking the extra step toward uncompromising system operation, high-quality audiophile clocking is even more important. For this reason, it's no surprise that Grace Design, a company that sets the quality bar high, has brought Grimm Audio's products to the U.S....

Pollstar Award for 'Austin City Limits' | Moody Theater Wins Best New Venue Award for 2011

Apr 1, 2012

The Moody Theater, where Austin City Limits relocated almost a year ago, has won Pollstar’s award for Best New Venue 2012. Working with BOKA Powell Architecture, veteran acoustician Steven Durr designed the house and studio facilities with the experience of the audience and performers in mind....

Ask Eddie | Guitar Tone, Part 2

Mar 1, 2012, By Eddie Ciletti

The goal of this three-part series is to help recording engineers, guitarists and DIY’ers understand some of the factors that influence guitar amp tone. The amp in question—Fender’s Hot Rod Deluxe (HRD)—was chosen because several of my students have complained of the same problem: excessive gain and insufficient tone-control range, which makes it an unruly recording amp. I felt I could offer affordable solutions to those who are cash-poor, and I am always happy to trade technical services for musicianship....

Allen & Heath GS-R24M Studio Recording Mixer Review

Mar 1, 2012, By Steve La Cerra

The GS-R24M from Allen & Heath exemplifies the concept of a “hybrid” console, merging analog and digital mixing capabilities with onboard A/D and D/A....

Roland R-26, Tascam DR-40, and Nagra SD Portable Handheld Recorders Review

Mar 1, 2012, By Brandon T. Hickey

I recently had the opportunity to engineer some interesting field recordings. The first was at the Arizona Railway Museum recording train sounds to be used for a new toy train from Lionel. The other was to record sounds for a stop-motion short for director Trevvor Riley in various large, abandoned spaces. ...

Lisson Grove R-124 Compressor Review

Mar 1, 2012, By Barry Rudolph

The Lisson Grove R-124 single-channel, variable-mu compressor is an homage to the EMI/Abbey Road RS124, which itself started out life as the U.S.-made Altec 436B compressor originally released in 1958 for telephone and broadcast use. ...

Mojave MA-300 Tube Microphone Review

Mar 1, 2012, By Kevin Becka

The sixth model in a growing line of microphones, Mojave Audio’s MA-300 comes from the mind of David Royer, a stickler for details. Just after Mojave released its first product, Royer told me about the difficulties of producing a mic long-distance (the units are built in China) and said that although he would painstakingly map out production details, he later found some elements had been changed, even in a small way. ...

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Mix Regional

The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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