Mini Review: SPL DrumXchanger

Apr 13, 2010, By Phil Nichols

Waves Vocal Rider Review

Mar 31, 2010, By Michael Cooper

Tight budgets or deadlines don’t always allow for the manual line-by-line tweaking of fader levels on a vocal track to perfection at mixdown. Waves’ Vocal Rider automatically rides the vocal’s levels for you, saving time and avoiding tedium. ...

Neumann TLM 102 Microphone Review

Mar 31, 2010, By Steve La Cerra

On first sight of the new Neumann TLM 102, one might ask, “Honey, who shrunk the TLM 103?” Indeed, the TLM 102 looks like a miniaturized TLM 103, the mic that made quite a splash on its introduction in 1998 as the most affordable offering ever from Neumann. ...

Black Lion Audio FM192 Interface Review

Mar 30, 2010, By Erik Zobler

The FM192 is a collaboration of Black Lion Audio (BLA) and Requisite Audio Engineering (RAE). Chicago-based Black Lion modifies audio equipment and is best known for its Digidesign 002 and 003 mods, but the company also builds preamps, summing mixers and an external clock...

API 527 Compressor Review

Mar 30, 2010, By Barry Rudolph

API’s 527 single-channel compressor is a 500 Series module based on the company’s 225L discrete channel comp and rackmount 2500 stereo bus compressor. All in the same family of VCA-based compressors, the 527 has continuously variable attack, release and ratio controls ...

Retro Instruments 2A3 Passive Equalizer Review

Mar 1, 2010, By Michael Cooper

When Retro Instruments set out to design a passive equalizer that captured the sonic character of the vintage Pultec EQP-1A3, the company didn't strive...

Schoeps VSR 5 Analog Reference Mic Preamp Review

Mar 1, 2010, By Joe Hannigan

The VSR 5 is Schoeps' commercial version of its custom test mic preamp with essentially the same circuitry: two independent preamp circuits in the same...

Harrison Mixbus 1.1 DAW Software Review

Mar 1, 2010

Thanks to efforts from many major plug-in manufacturers, modeling has become a very accessible way to employ the signature sounds of popular mixing consoles...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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