Review: M-Audio Studiophile DSM2 Studio Monitors

Oct 1, 2008, By Bobby Frasier

M-Audio DSM2 Bi-Amplified Studio Monitors is a professional studio speaker for music production. Bobby Frasier reviews M-Audio DSM2 Bi-Amplified Studio Monitors for the October 2008 issue....

Review: API 1608 Analog Console

Oct 1, 2008, By Barry Rudolph

The API Model 1608 analog recording console retains the same design philosophy, build quality and most importantly the same sound as the company's revered...

Review: ADK Hamburg II-AU and Vienna II-AU Mics

Oct 1, 2008, By Steve La Cerra

Over the past decade, ADK has carved a niche in the mid-level studio microphone market, offering successful products such as the A-51 and A-6. ADK later...

Review: Sonnox Oxford SuprEsser Plug-In

Oct 1, 2008, By Jason Scott Alexander

Sonnox is an independent company that was formerly affiliated with Sony UK and known as Sony Oxford Plugins. However, team members have largely stayed...

Review: Image Line FL Studio XXL Version 8

Oct 1, 2008, By Adam Kinsey

In fast-paced music production environments, workflow is everything. Most pop music comprises repeating multitrack patterns, so a DAW that's optimized...

Review: Solid State Logic Matrix

Sep 1, 2008, By Barry Rudolph

Solid-State-Logic Matrix Analog Console is a console offering DAW control and analog summing for music production. Barry Rudolph reviews Solid-State-Logic Matrix Analog Console September 2008 issue....

Review: Equator Audio Research Q15 Coaxial Monitors

Sep 1, 2008, By Jason Scott Alexander

Equator Audio Research Q15 Coaxial Monitors are professional high-end studio monitors for music production. Jason Scott Alexander reviews Equator Audio Research Q15 Coaxial Monitors for the September 2008 issue...

Review: Lexicon PCM96 Effects Processor

Sep 1, 2008, By Barry Rudolph

Lexicon PCM96 Effects Processor is a professional audio recording and mixing hardware effects processor. Barry Rudolph reviews Lexicon PCM96 Effects Processor processors September 2008 issue...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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