Review: Drawmer A2D2 DMS-3 and M-Clock Plus DMS-5

Sep 1, 2008, By Bobby Frasier

Drawmer A2D2 DMS-3Dual Output A/D Converter & M-Clock Plus is a professional converter and clock for recording and mastering. Bobby Frasier reviews Drawmer A2D2 DMS-3Dual Output A/D Converter & M-Clock Plus September 2008 issue...

Field Test: Sonic Reality Ocean Way Drums Library

Aug 1, 2008, By Robert Brock

The first world-class studio I ever set foot in was Ocean Way in Hollywood. The Gold and Platinum albums lining the walls beamed an aura of the immense...

Field Test: Minnetonka Audio Workflow Engine (AWE)

Aug 1, 2008, By Kevin Becka

Before the boom of digital audio, managing your resources meant keeping your work well-documented and your tape reels in a cool, dry place. Today, knowing...

Field Test: Avant Electronics Avantone CK-40 Stereo Mic

Aug 1, 2008, By Barry Rudolph

Topping Avant Electronics' line of C Series condenser mics, the Avantone CK-40 uses two 35mm, center-terminated gold-sputtered capsules mounted in separate...

Field Test: Cakewalk SONAR 7 Producer Edition

Aug 1, 2008, By Tony Nunes

Cakewalk has been consistent about upgrading SONAR annually, and the improvements have been significant. For instance, SONAR 5 pushed the envelope by...

Field Test: Roland Systems Group V-Mixer Live Console

Jul 1, 2008, By Kevin Becka

Two years ago, Roland first entered into the live sound market with the RSS Digital Snake. Since then, the company has been quietly developing a small-format...

Field Test: Solid State Logic X-Comp Compressor Plug-In

Jul 1, 2008, By Barry Rudolph

Solid State Logic's X-Comp is the latest plug-in for Duende, the company's external DSP unit. Duende comes in three models: the original single-rackspace...

Field Test: Tube-Tech CL1 B Compressor/Limiter Plug-In

Jul 1, 2008, By Barry Rudolph

Introduced in the mid-'80s, the three-rackspace, single-channel Tube-Tech CL1 B compressor/limiter became a coveted and trusted dynamics processor noted...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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