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Field Test: AEA A440 Active Studio Ribbon Mic

	
Jul  1, 2008, 
	By Kevin Becka
	
	

	
	
Audio Engineering Associates' Wes Dooley has released another remarkable ribbon transducer in the A440 ($5,800). This long ribbon figure-8-patterned mic...

	





	
Auditions: Snapshot Product Reviews

	
Jul  1, 2008
	
		
	

	
	
APOGEE DUET Desktop I/O for Apple Logic The Apogee Duet is a $495 FireWire bus-powered, stereo I/O audio interface with dual mic preamps. Capable of sample...

	





	
Field Test: Native Instruments Kore 2 Plug-In Host

	
Jun  1, 2008, 
	By Jim Aikin
	
	

	
	
The first incarnation of Native Instruments Kore was an insightful step forward in hardware/software integration, but it suffered from some design problems....

	





	
Field Test: iZotope RX Advanced Restoration Software

	
Jun  1, 2008, 
	By Jason Scott Alexander
	
	

	
	
Manufacturer iZotope is known for developing innovative, high-quality plug-ins, yet the company's recent release of RX has generated more industry buzz...

	





	
Field Test: Overloud Breverb Plug-In

	
Jun  1, 2008, 
	By Barry Rudolph
	
	

	
	
Italian software developer Overloud is offering Breverb, a synthesized reverb plug-in that's modeled on high-end hardware reverbs costing many times its...

	





	
Field Test: Burgin McDaniel Komit Compressor

	
Jun  1, 2008, 
	By Kevin Becka
	
	

	
	
In audio circles, Austin, Texas, is known for Austin City Limits, SXSW, Robert Rodriguez, Rupert Neve Designs and now Burgin McDaniel, a new startup with...

	





	
Field Test: Universal Audio 2-LA-2 Twin Leveling Amplifier

	
May  1, 2008, 
	By Michael Cooper
	
	

	
	
When Universal Audio reissued the vintage LA-2A Leveling Amplifier eight years ago, I was one of the first people to open my wallet. The LA-2A featured...

	





	
Field Test: Sennheiser MKH 8040 Series Microphone

	
May  1, 2008, 
	By Kevin Becka
	
	

	
	
Sennheiser's MKH 8000 line offers three models and a range of accessories that allow for many extension and placement options. The Nextel black finish...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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