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Field Test: Lab.gruppen FP+ Series Power Amps

	
May  1, 2008, 
	By Steve La Cerra
	
	

	
	
Lab.gruppen has a well-deserved reputation for manufacturing some pretty impressive power amplifiers. Its FP+ Series touring amplifiers incorporate a...

	





	
Field Test: JZ Microphones Black Hole

	
May  1, 2008, 
	By George Petersen
	
	

	
	
Last fall, when I heard about the formation of JZ Microphones, a Latvian company spun off from Violet Microphones, I wasn't sure what to think. The principal...

	





	
Field Test: Mu Technologies Mu Voice 1.1.1

	
May  1, 2008, 
	By Jason Scott Alexander
	
	

	
	
Correcting intonation problems and performing wild harmonic effects are two processes that aren't often mentioned in the same sentence by most engineers....

	





	
Field Test: Peluso 22 47SE Tube Microphone

	
May  1, 2008, 
	By Barry Rudolph
	
	

	
	
The Peluso 22 47SE (Standard Edition, $1,967) tube mic is designed to look, feel and reproduce sound just like a brand-new, long-bodied Neumann U47. The...

	





	
Field Test: IK Multimedia ARC System Plug-In

	
May  1, 2008, 
	By Barry Rudolph
	
	

	
	
IK Multimedia, in partnership with Audyssey Laboratories, has released ARC System (Advanced Room Correction), the first plug-in room-correction DAW software....

	





	
Field Test: Sony PCM-D50 Handheld Recorder

	
Apr  1, 2008, 
	By Barry Rudolph
	
	

	
	
Sony's new handheld PCM-D50 recorder reprises most of the features and performance of the company's much-higher-priced PCM-D1 in a smaller-sized unit...

	





	
Field Test: EastWest PLAY Sample Libraries

	
Apr  1, 2008, 
	By Gary Eskow
	
	

	
	
Following the model that was established two decades ago, most soft-sample libraries are released in one or more of the day's popular formats. EastWest,...

	





	
Ableton Live 7 Performance-Oriented DAW

	
Apr  1, 2008, 
	By Jim Aikin
	
	

	
	
From its inception, Ableton Live has been a favorite of dance music producers and DJs because of its ability to seamlessly sync up sampled loops. Building...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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