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Field Test: Groove Tubes SuPRE Tube Preamp

	
Dec  1, 2007, 
	By Joe Hannigan
	
	

	
	
From the mind of tube guru Aspen Pittman comes the Groove Tubes SuPRE ($1,999), a 2-channel stereo tube mic preamp that puts a lot of features into a...

	





	
Field Test: Apple Soundtrack Pro 2 Software

	
Dec  1, 2007, 
	By George Petersen
	
	

	
	
Apple's Soundtrack Pro 2 (SP2) workstation software for audio-for-video production has morphed into an entirely new program with each release. What began...

	





	
Field Test: Mackie Tracktion 3 DAW/Sequencer

	
Nov  1, 2007, 
	By Jim Aikin
	
	

	
	
The original release of Mackie Tracktion was notable for its bold attempt to redesign the traditional sequencer user interface in a way that would be...

	





	
Field Test: Waves API Collection Plug-Ins

	
Nov  1, 2007, 
	By Barry Rudolph
	
	

	
	
Waves and Automated Processed Inc. (API) have co-engineered the API Collection of plug-in processors based on the latter's hardware processors. The API...

	





	
Snapshot Product Reviews

	
Nov  1, 2007
	
		
	

	
	
ULTRASONE EDITION 9 Studio Headphones Since 1991, Ultrasone has concentrated on building one product: headphones. The new Edition 9 headphones use the...

	





	
Field Test: Klein + Hummel O 300 Studio Monitors

	
Nov  1, 2007, 
	By Steve La Cerra
	
	

	
	
It wasn't long ago that active monitors were the exception in studios rather than the norm. Part of the popularity of self-powered speakers can be linked...

	





	
Field Test: Langevin Mini Massive Stereo EQ

	
Nov  1, 2007, 
	By David Rideau
	
	

	
	
When it was released in 1999, the Manley Massive Passive EQ took the high-end pro audio world by storm. The Pultec on steroids design gave engineers a...

	





	
Field Test: Solid State Logic XLogic Alpha Channel

	
Oct  1, 2007, 
	By Michael Cooper
	
	

	
	
In the past couple of years, manufacturers such as Solid State Logic (SSL) and Neve have recognized the pent-up demand in mid-level markets for the sound...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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