Field Test: Adobe Audition Version 1.5 PC-Based DAWDec 1, 2004, By Tony Nunes Recent acquisitions of audio companies by much larger video companies have made some unusual bedfellows. Arguably, the company that has done the most... Field Test: Blue Sky MediaDesk 2.1 Monitoring SystemDec 1, 2004, By Bobby G. Frasier Is the world ready for a diminutive speaker system that is articulate, affordable, basically sounds great and is expandable to 5.1? Blue Sky has created... Field Test: Demeter VTMP-2c Microphone PreampNov 1, 2004, By Martin Allen Leaving your teens is always an event, even if you're a mic preamp. Commemorating the upcoming 20th anniversary of the VTMP-2, Demeter Amplification is... Field Test: Universal Audio 2-1176 Dual Limiting AmplifierNov 1, 2004, By Michael Cooper The 2-1176 Dual Limiting Amplifier is a 2-channel version of Universal Audio's '60s-era 1176 and uses the same FETs (for gain control elements) and output... Field Test: AEA R88 Stereo Ribbon MicrophoneNov 1, 2004, By Kevin Becka Tone junkies rejoice! There is a wonderful new way to get your fix and it's called the AEA R88. Looking like something from a '50s sci-fi film, this stealth-black... Field Test: EastWest Quantum Leap Symphonic OrchestraNov 1, 2004, By Nick Batzdorf The EastWest Quantum Leap Symphonic Orchestra (EWQLSO) takes the concept of sampling to the next level. The disk streaming library offers recordings from... Field Test: Apogee AD-16X and DA-16X ConvertersNov 1, 2004, By Michael Cooper Apogee topped itself with the release of its latest product, the AD-16X and DA-16X converters. The new units replace the company's similarly named AD-16... Field Test: dbx 162SL Stereo Compressor/LimiterNov 1, 2004, By Steve La Cerra What good can come of crossing a blue-blooded compressor with an upstart? dbx knows! Its Purple Series 162SL Compressor/Limiter offers stellar performance...
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