Field Test: PreSonus DigiMax FS

Mar 1, 2007, By Jason Scott Alexander

It's been six years since PreSonus launched its popular DigiMax line, and nearly four years since the DigiMax last received a facelift in the DigiMax...

Field Test: Blue Sky SAT 12, Sub 15 2.1 Monitoring System

Mar 1, 2007, By Joe Hannigan

You don't often associate the word with audio systems, but it's an appropriate term for Blue Sky's latest: a 2,000-watt, 300-plus-pound 2.1 midfield monitor...

Field Test: SPL Passeq Passive Equalizer

Mar 1, 2007, By Michael Cooper

Passive EQs are generally known for their natural and transparent sound. When SPL's design engineers set out to create the Passeq, one of their goals...

Field Test: Trinnov SRP Surround Recording Platform

Mar 1, 2007, By Kevin Becka

Ever try to explain a completely new idea? Like a car that's also a tanning booth and a washing machine? Although not as crazy, that's my dilemma in explaining...

Field Test: Schoeps CMIT 5 U Shotgun Microphone

Feb 1, 2007, By George Petersen

For nearly 60 years, Schoeps has been a leader in small-diaphragm microphone design, offering a dazzling array of mics and capsules to fit nearly any...

Field Test: Ableton Live 6 Performance-Oriented DAW

Jan 1, 2007, By Jim Aikin

It's not boring, but it's become quite predictable: Every new version of Ableton Live boosts the feature list to a new level. That was true when I reviewed...

Field Test: IK Multimedia Ampeg SVX Bass Amp Plug-In

Jan 1, 2007, By Barry Rudolph

IK Multimedia's Ampeg SVX Bass Amp is a complete virtual bass guitar rig posing as a plug-in. SVX uses the company's DSM technology to model Ampeg bass...

Field Test: API A2D Dual Microphone Preamp

Jan 1, 2007, By Bobby G. Frasier

The A2D dual mic preamp from API is the company's first foray into the digital realm, melding tried-and-true analog technology with two channels of A/D...

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