Field Test: Rupert Neve Portico 5032 Mic Pre/EQ

Dec 1, 2006, By Barry Rudolph

One of the four half-rackspace modules offered in Rupert Neve's expanding Portico Series is the 5032 Mic Pre/EQ. Like all of the Portico gear, the 5032...

Field Test: Sony Cinescore Soundtrack Software

Dec 1, 2006, By Rick Spence

Cinescore from Sony Media Software helps both musicians and non-musicians quickly create music, stingers and effects for video and other projects. One...

Field Test: LaChapell Audio Model 992 Tube Preamp

Dec 1, 2006, By Michael Cooper

When inventor Scott LaChapell set out to design the LaChapell Audio Model 992 tube preamplifier, his primary goal was to highlight the sonic character...

Field Test: TC Electronic VSS3 Stereo Source Reverb

Dec 1, 2006, By K.K. Proffitt

Although my TC Electronic System 6000 remains one of my favorite audio toys, it's sometimes maxed out in a film mix. Other times, I want to get sounds...

Field Test: Dangerous Music Monitor ST, Monitor SR

Nov 1, 2006, By Joe Hannigan

Not quite as dangerous as it sounds, but certainly exciting, Dangerous Music's Monitor ST and Monitor SR are highly useful companions in today's ever-evolving...

Field Test: iZ Technology RADAR V Hard Disk Recorder

Nov 1, 2006, By Tony Nunes

The RADAR system has always been renowned for its simplicity, solid performance and sound. iZ Technology has upped the ante with the RADAR V line, offering...

Field Test: Digidesign Hybrid RTAS Soft Synth

Nov 1, 2006, By Jim Aikin

Digidesign took longer than some DAW manufacturers to add software synthesizers to its product line, but when the company took the plunge, it did it right....

Field Test: Solid State Logic Duende DSP Processor

Nov 1, 2006, By Jason Scott Alexander

As home and project studios continue to multiply, it's fitting that SSL is now parting its signature sound into the DAW world. Served up on a custom DSP...

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