Field Test: Royer R-122V Tube Ribbon MicJun 1, 2006, By Kevin Becka At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon... Field Test: Buzz Audio MA 2.2 TX Class-A Mic PreJun 1, 2006, By Michael Cooper Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end... Field Test: TC-Helicon VoicePro Voice ProcessorJun 1, 2006, By Michael Cooper The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately... Field Test: A-Designs Audio Pacifica Microphone PreampJun 1, 2006, BY JOE HANNIGAN For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of... Field Test: Focusrite Saffire FireWire Audio InterfaceMay 1, 2006, By Jason Scott Alexander Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side... Field Test: BIAS Peak Pro XT 5 BundleMay 1, 2006, By Jason Scott Alexander BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new... JazzMutant Lemur Control SurfaceMay 1, 2006, By Jim Aikin Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph... Field Test: Digidesign Pro Tools HD 7 SoftwareMay 1, 2006, By Barry Rudolph Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...
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