Snapshot Product Reviews

Mar 1, 2006

E-MU PM5 PRECISION MONITORS Powered Near-Field Speakers After decades of creating high-end sampling, synthesis and pro recording gear, E-mu Systems unveiled...

Sony Sound Forge Digital Audio Workstation

Mar 1, 2006, By Michel Henein

Throughout years of working on films, television and videogames, I have used a variety of audio software and have to come to rely on one often-overlooked...

Steinberg Hypersonic 2 Multitimbral Synth

Mar 1, 2006, By Jim Aikin

Multitimbral synthesizers were once fixtures in nearly every project studio. But in the new world of software synths, they're few and far between. Most...

Field Test: Soundelux E47C Cardioid Condenser Mic

Mar 1, 2006, By Barry Rudolph

Large-diaphragm condenser microphones such as the Telefunken ELAM 251, AKG C-12 and Neumann U47 are practically legendary: They captured many of the quintessential...

Field Test: Benchmark Media ADC1 A/D Converter

Mar 1, 2006, By Barry Rudolph

We've been waiting more than two years for Benchmark to release its half-rack companion to the DAC1 2-channel digital-to-analog reference converter, but...

Field Test: EastWest Quantum Leap Symphonic Choirs

Mar 1, 2006, By Robert Brock

The EastWest Quantum Leap Symphonic Choirs (EWQLSC) virtual instrument will change any preconceived ideas you may have about what sampled choirs can do....

Field Test: Waves Q-Clone Convolution Equalizer

Feb 1, 2006, By Jason Scott Alexander

For the DAW-based among us, Waves' Q-Clone is a brilliant new approach to plug-in EQ, allowing you to slap the sound of your favorite hardware EQ onto...

Field Test: Tannoy Precision 8D Studio Monitors

Feb 1, 2006, By Bobby Frasier

The new Tannoy Precision line of studio monitors offers two passive and two active products. All four units are three-way and use the signature Tannoy...

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