Field Test: CEDAR Audio Cambridge Restoration System

Mar 1, 2005, By K. K. Proffitt

My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of...

Field Test: SPL GainStation 1 Mic Preamp

Mar 1, 2005, By Michael Cooper

To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other...

Field Test: MBHO MBP 604 N Microphone

Mar 1, 2005, By Steve La Cerra

MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers...

Mackie HDR24/96 and MDR24/96

Mar 1, 2005, By Mike Rivers

It's hard to believe, but Mackie's HDR24/96 hard disk recorder/editor has been with us for more than four years; the bargain-priced MDR24/96 (same guts...

Field Test: Soundelux e250 Condenser Microphone

Feb 1, 2005, By Barry Rudolph

Rethinking classic tube microphone design, Soundelux Microphones' cardioid-only e250 condenser mic solves the intrinsic problems encountered when close-miking...

Thermionic Culture Vulture Distortion Unit

Feb 1, 2005, BY JEFF HARRIS

The Thermionic Culture Vulture valve distortion unit is a strange bird. The manual's first page reads, Do not take this unit seriously. The Culture Vulture...

Field Test: Audient ASP008 Microphone Preamplifier

Feb 1, 2005, By Steve La Cerra

A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient...

Native Instruments B4 Organ Software

Feb 1, 2005, By George Petersen

During the past couple of years, Native Instruments' B4 has become popular in studios and touring rigs everywhere and with good reason. Essentially, B4...

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