Field Test: CEDAR Audio Cambridge Restoration SystemMar 1, 2005, By K. K. Proffitt My first introduction to the miracles wrought by CEDAR equipment happened more than a decade ago at a Nashville AES meeting. It was the golden age of... Field Test: SPL GainStation 1 Mic PreampMar 1, 2005, By Michael Cooper To call the SPL GainStation 1 a preamp may be a bit misleading, as this compact, single-channel unit includes two preamps one solid-state and the other... Field Test: MBHO MBP 604 N MicrophoneMar 1, 2005, By Steve La Cerra MBHO may not yet be a household name in the audio industry, but the company has been building capsules and complete microphones for other manufacturers... Mackie HDR24/96 and MDR24/96Mar 1, 2005, By Mike Rivers It's hard to believe, but Mackie's HDR24/96 hard disk recorder/editor has been with us for more than four years; the bargain-priced MDR24/96 (same guts... Field Test: Soundelux e250 Condenser MicrophoneFeb 1, 2005, By Barry Rudolph Rethinking classic tube microphone design, Soundelux Microphones' cardioid-only e250 condenser mic solves the intrinsic problems encountered when close-miking... Thermionic Culture Vulture Distortion UnitFeb 1, 2005, BY JEFF HARRIS The Thermionic Culture Vulture valve distortion unit is a strange bird. The manual's first page reads, Do not take this unit seriously. The Culture Vulture... Field Test: Audient ASP008 Microphone PreamplifierFeb 1, 2005, By Steve La Cerra A home studio's weak point often shows itself in the front end of the signal chain. For those looking for an affordable upgrade to their preamps, Audient... Native Instruments B4 Organ SoftwareFeb 1, 2005, By George Petersen During the past couple of years, Native Instruments' B4 has become popular in studios and touring rigs everywhere and with good reason. Essentially, B4...
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