Field Test: Apple Logic Pro 7 Workstation

Jan 1, 2005, By Kevin Becka

What do you get when you cross Apple technology with a German-born DAW? The answer will reveal itself later in this review, but suffice to say, the news...

Field Test: Focusrite The Liquid Channel Processor

Dec 1, 2004, By Michael Cooper

If imitation is the most sincere form of flattery, then the new 2U, split-personality processor from Focusrite is a down-right apple polisher....

Field Test: SE Electronics SE1A, SE2 and SE3 Mics

Dec 1, 2004, By Kevin Becka

I have a friend, a self-proclaimed audio snob, who swears that if he ever heard a great-sounding Chinese microphone, it would be one of the signs of the...

Field Test: Adobe Audition Version 1.5 PC-Based DAW

Dec 1, 2004, By Tony Nunes

Recent acquisitions of audio companies by much larger video companies have made some unusual bedfellows. Arguably, the company that has done the most...

Field Test: Native Instruments Guitar Rig

Dec 1, 2004, By Michael Cooper

Who needs yet another guitar amp simulator/multi-effects box? When it's done this well, the answer is we do! Native Instruments' Guitar Rig is both stand-alone...

Field Test: Blue Sky MediaDesk 2.1 Monitoring System

Dec 1, 2004, By Bobby G. Frasier

Is the world ready for a diminutive speaker system that is articulate, affordable, basically sounds great and is expandable to 5.1? Blue Sky has created...

Field Test: Waves IR-1 Parametric Convolution Reverb Plug-In

Dec 1, 2004, By Erik Zobler

When I first heard about Waves' IR Parametric Convolution Reverb, the letters IR and the word puzzled me. After some research, I figured out what was...

Field Test: dbx 162SL Stereo Compressor/Limiter

Nov 1, 2004, By Steve La Cerra

What good can come of crossing a blue-blooded compressor with an upstart? dbx knows! Its Purple Series 162SL Compressor/Limiter offers stellar performance...

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