Field Test: AEA R88 Stereo Ribbon MicrophoneNov 1, 2004, By Kevin Becka Tone junkies rejoice! There is a wonderful new way to get your fix and it's called the AEA R88. Looking like something from a '50s sci-fi film, this stealth-black... Field Test: Eventide Octavox HarmonizerNov 1, 2004, By Barry Rudolph If you're a Pro Tools user, I'm certain one question has been on your mind: Why isn't there a good Harmonizer plug-in? Eventide has answered the question... Field Test: Universal Audio 2-1176 Dual Limiting AmplifierNov 1, 2004, By Michael Cooper The 2-1176 Dual Limiting Amplifier is a 2-channel version of Universal Audio's '60s-era 1176 and uses the same FETs (for gain control elements) and output... Field Test: EastWest Quantum Leap Symphonic OrchestraNov 1, 2004, By Nick Batzdorf The EastWest Quantum Leap Symphonic Orchestra (EWQLSO) takes the concept of sampling to the next level. The disk streaming library offers recordings from... Field Test: Apogee AD-16X and DA-16X ConvertersNov 1, 2004, By Michael Cooper Apogee topped itself with the release of its latest product, the AD-16X and DA-16X converters. The new units replace the company's similarly named AD-16... Field Test: Demeter VTMP-2c Microphone PreampNov 1, 2004, By Martin Allen Leaving your teens is always an event, even if you're a mic preamp. Commemorating the upcoming 20th anniversary of the VTMP-2, Demeter Amplification is... Field Test: Lynx AES16 AES/EBU Interface UpdatesOct 1, 2004, By K.K. Proffitt Macintosh power users rejoiced on Internet forums when the long-awaited OS X drivers for the Lynx AES16 and AES16-SRC PCI interface cards arrived in June... Field Test: Nautilus NEMO DMC-8 Monitor ControllerOct 1, 2004, By Erik Zobler Mastering engineer John Vestman is often asked, How do I make my mixes sound better? The answer could easily fill a book, but Vestman's initial reply...
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