Field Test: Merging Technologies Pyramix 4.2 Workstation

Apr 1, 2004, By K. K. Proffitt

A solitary triangle in one of Michael Bishop's excellent recordings convinced me that DSD offered a clarity that I didn't hear in my 48kHz PCM work....

Field Test: QSC Audio SRA2422 Studio Reference Amplifier

Mar 1, 2004, By Steve LaCerra

QSC Audio has established itself as a leading manufacturer of amplifiers for live sound reinforcement....

Snapshot Product Reviews

Mar 1, 2004

IK MULTIMEDIA T-RACKS Mastering Plug-In

IK Multimedia now has a plug-in version of its stand-alone T-RackS mastering software....

Field Test: Waves Transform Plug-In Bundle

Mar 1, 2004, By Barry Rudolph

We've always thought of Waves as a manufacturer of solid, straightforward studio tools, but recently, the company has branched out with some really creative sound-shapers....

Field Test: Buzz Audio SOC 1.1 Stereo Optical Compressor

Mar 1, 2004, By Barry Rudolph

Leave it to the Kiwis to come up with a more reliable and clean-sounding version of the tried-and-true opto-compressor....

Field Test: Studio Projects B Series Mics

Mar 1, 2004, By Nick Batzdorf

During the past few years, there has been an explosion of almost unbelievably low-priced Chinese condenser mics that look like prized German beauties....

Field Test: Brauner Phantom C Condenser Microphone

Mar 1, 2004, By Michael Cooper

Brauner has a reputation for building ultratransparent tube mics with very low self-noise and high sensitivity....

Field Test: Apogee Electronics Rosetta 800

Mar 1, 2004, By Michael Cooper

The Rosetta 800 ($2,995), Apogee's newest 24-bit multichannel converter, offers eight channels of A/D and D/A conversion, flexible sync capabilities and Apogee's proprietary UV22HR wordlength reduction and Soft Limit dynamics processing....

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