Eventide Eclipse

Jun 1, 2002, BY MARK FRINK

The Eventide Eclipse is the company's first single-rackspace effects processor, a must-have for those who need to fit Harmonizer processing into a crowded...

Antares Vocal Producer AVP-1

Jun 1, 2002, BY NICK BATZDORF

You see plug-in versions of hardware products all the time, but it's almost man bites dog for a company to come out with hardware versions of their software...

DPA Microphones 3532-T

Jun 1, 2002, BY BARRY RUDOLPH

The DPA Microphones 3532-T stereo microphone kit is a great introduction to recording with spaced-pair, omnidirectional microphones. Packaged in a spill-proof,...

Propellerhead Software Reason

Jun 1, 2002, BY LEN SASSO

Although Reason is designed for speed, its versatility can at first be daunting. With all that virtual gear at your fingertips, finding your way around,...

Ableton Live 1.0

Jun 1, 2002, BY DAVE HILL, JR.

In October 2001, Ableton released one of the first software applications designed specifically for live performance, Live 1.0. Now, with the imminent...

Terrasonde Audio Toolbox

May 1, 2002, BY RUDY TRUBITT

I bought my first piece of test equipment in 1975 a Micronta volt-ohm meter from the local Radio Shack. I assumed its manual would teach me to fix stuff,...

Native Instruments Spektral Delay 1.0

May 1, 2002, BY BARRY RUDOLPH

Spektral Delay is a Pro Tools stereo delay plug-in that divides incoming audio into up to 1,024 discrete frequency bands with separate modulation effects,...

MOTU Digital Performer 3.02

May 1, 2002, BY ERIK HAWKINS

Mark of the Unicorn's Digital Performer has been a staple in my production studio ever since I connected MIDI instruments to an 8MHz Mac SE computer....

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Mix Regional

The Mix Regional section for Mix's July 2014 issue focuses on Atlanta. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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