KS ADM 2

Oct 1, 2001, BY MICHAEL COOPER

Speaker manufacturers have endeavored for decades to create a reference monitor that could reproduce complex, broadband audio without imposing a sonic...

Lexicon 480L

Oct 1, 2001, BY K. K. PROFFITT

For more than a decade, the Lexicon 480L digital effects system has retained its status as a standard workhorse in the industry, and with continual hardware...

Soundelux ELUX 251

Oct 1, 2001, BY BARRY RUDOLPH

Most people would rank the multipatterned Telefunken ELA M251E/250E as one of the three most sought-after tube condenser microphones, alongside the Neumann...

Neumann D-01 Solution D

Oct 1, 2001, BY JOHN MONFORTE

At last, the final component in the recording chain is digital. However, in order to realize the dream of a digital microphone, two major problems had...

Studio Projects C1

Oct 1, 2001, BY PETE LEONI

PMI Audio, the USA distributors of JoeMeek and Trident-MTA gear, now offers a new family of studio mics. The line's rather unassuming Studio Projects...

Mackie MDR24/96

Oct 1, 2001, BY GEORGE PETERSEN

Disk-based digital multitracks keep becoming more affordable. No strangers to building low-cost/high-performance gear, Mackie now breaks the oxide ceiling...

Lexicon 960L

Oct 1, 2001, BY GEORGE PETERSEN

The best thing about software-based effects systems is that they're, wellsoftware-based. By updating software via a new disk, data cart or the occasional...

SADiE Artemis

Sep 1, 2001, BY PETE LEONI

Given the ever-expanding choice of editing platforms available, why choose a particular product? In SADiE's case, the answer could be depth. SADiE software,...

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Education Guide

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