FixIt: Kevin Glendinning
Aug 1, 2005 12:00 PM
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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.
You can create happiness for the musicians onstage by using what already exists in your environment. Before deciding where to set stage levels, listen to the P.A., the room's characteristics or the amount of lower frequencies that spill out the back of the subs and onto the stage. The FOH systems engineer may back up the left and right or the subs alone. This is stealing some of what's used out of the house system to use for feel and air movement onstage. I think of what can happen to create level spikes. I always have pads out on mics and channels. If a pad gets bumped or fails, the input lowers as opposed to raising 15 dB or so. A good hard-knee peak stop limiter or the legendary Aphex units in-line can save a person's hearing and your job.
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This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
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Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
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