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Bob Heil Q&A 

	
Apr 27, 2010, 
	By George Petersen

	
	

	
	
Live sound pioneer, inventor of the famed Heil Talk Box, microphone manufacturer and audio maverick speaks out. 
...

	





	
1st Bank Center Profile

	
Apr 27, 2010, 
	By Sarah Benzuly
	
	

	
	
With any new audio system install, the P.A. is key: It should be geared toward the type of entertainment that will be traipsing across the stage. It must offer adequate coverage to deliver the sound all the way to the back wall....

	





	
U.S. Audio and Lighting Goes North

	
Mar 31, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
U.S. Audio and Lighting opens up a Northern California office as reported by Mix magazine in the April 2010 issue 
...

	





	
Peavey Updates Temple Theater

	
Mar 31, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Temple Theater Peavey audio installation news article in Mix magazine April 2010 issue ...

	





	
Load In: Sound Reinforcement News, April 2010 

	
Mar 31, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Read Mix News For the Concert Touring Professional In the April 2010 Issue of Mix
...

	





	
FixIt: Norah Jones FOH Engineer Brett Dicus 

	
Mar 30, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Above all else, the most critical sound reinforcement tool that we bring with us to every date is Norah’s Neumann vocal microphone. She’s been using some variant of a Neumann microphone or a Neumann capsule with a Sennheiser RF transmitter for almost all of her touring career....

	





	
Load In: Sound Reinforcement News, March 2010

	
Mar  1, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Front-of-house engineer Ken Van Druten joins Waves Audio as the company's Live Division's product specialistLoudness Sonorizacao (Brazil) has joined L-Acoustics'...

	





	
Digidesign VENUE | Five Years and Going Strong

	
Mar  1, 2010, 
	Compiled by Sarah Benzuly
	
	

	
	
Since the launch of the flagship VENUE D-Show system in 2005, Avid/Digidesign VENUE systems are increasingly being seen at front-of-house and monitor...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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