The Hammerstein Ballroom

Oct 1, 2001, by Bryan Reesman

On a weekday afternoon in July, rows of chairs line the main floor of the Hammerstein Ball-room, a giant projection screen hovers in the stage house and...

Understanding Phase

Oct 1, 2001, By Bob McCarthy

I can see sound. I can look at a speaker array and see the waves coming out of it as clear as the ripples on a pond. I can look at the walls of a room...

The Sounds of Summer

Sep 1, 2001, By David John Farinella

You are not sitting on your couch. You are at the ballpark. That was a bat crack, a slide into second base, an outfielder crashing into the wall that...

HITTING THE ROAD

Sep 1, 2001

Rocket in My Pocket Road Tour (September 4-14, 2001) Sponsored by Fits & Starts Productions, LLC, and Apple computers, this first in a series of five...

ON THE STAGE OFF THE STAGE

Aug 1, 2001, By Mark Frink

SHARING THE BACKLINE The difference between festivals and festivals is that for the latter, backline equipment is shared by a number of acts. When the...

Setting Up the Mix House

Apr 1, 2001, JOHN KLETT

Mike Shipley and I were walking around the AES show in L.A. last September, trying to work out some scheduling issues for something, and he mentioned...

LCS CueConsole Fits Into the World of “Seussical”

Apr 1, 2001, PAUL VERNA

When Jonathan Deans started sketching the sound design for Seussical, the new Broadway musical based on the works of children's artist Dr. Seuss, his...

Sequencing for the Stage

Jan 1, 2001, ROBERT HANSON

DAWS...THE NEW GUITAR? Music has forever changed, and we've all seen it coming. Computer-manipulated sound has become a ubiquitous component in music...

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