Get That Guitar!

Feb 1, 2011, By Pete Keppler

The sheer number of different amps, amp simulators, direct-input systems and acoustic pickups on the market today for guitar is pretty staggering—probably not that far from the number of musicians who are out there actually plugging into it all. In the world of guitar amps alone, dozens of boutique companies have sprung up in the past 10 to 20 years, not to mention the major manufacturers that keep cranking out new models every year and bringing out various re-issues of their classic amps from the 1950s, ’60s and ’70s. With so much gear out there, the quest for a killer guitar tone in your live mix may seem a little daunting. It will take a bit of experimentation, but assuming your player has settled on a rig that they’re comfortable with onstage, it’s relatively easy to zero in on your options and make a choice for the best method of capturing that sound. ...

FixIt: Flyleaf FOH Engineer Rich Caldwell

Feb 1, 2011

Flyleaf originally wanted a recording truck or mobile setup to come out, but we felt confident that we could capture the audio ourselves and then just hand them a hard drive of the whole tour. Using existing budget, we purchased a Pro Tools HD rig and added a MADI-to-Digilink interface. That instantly turned the [Soundcraft Vi6] desk into a 64-track mobile studio with full virtual soundcheck capability....

Plug-Ins Live | The Digital Roadcase

Jan 1, 2011, By Sarah Benzuly

It was only a few years ago when we began to see live sound engineers carrying less outboard and relying more on onboard plug-ins. Today, an engineer not mixing with these onboard gems would be a rare find...

Editor's Note: The Ever-Changing, Ever-Expanding Universe of Live

Jan 1, 2011, By Tom Kenny, Editorial Director

In 1988, when I joined Mix, I knew what Live Sound was. It was stadium dates with the Rolling Stones and club gigs with Nick Cave. Sheds for the newly annointed Platinum-sellers and Red Rocks for the jam band that nobody paid attention to at MTV but who could fill three nights outdoors on a summer weekend....

Wireless Rulings

Jan 1, 2011, By Tom Kenny

“Ninety percent of wireless users will likely see no difference,” says Lectrosonics’ Karl Winkler, in reference to the September 2010 decision by the FCC to open up portions of the broadcast spectrum to “white spaces devices,” meaning new portable consumer gadgets and the coming enhanced Wi-Fi networks being pushed by companies such as Google, Dell and Microsoft. “For typical wireless users,” Winkler continues, “those who run fewer than 16 channels in a fixed installation where the mics are in close, they should be fine. But if you go out to the edge with a large number of channels that are unregistered in a crowded market, you could find yourself in trouble.” ...

iPad Mixing

Jan 1, 2011, By Sarah Benzuly

It can be argued that Apple’s iPad has changed the way people make music. But for mixing a live show? You bet. Granted, you won’t be seeing front-of-house engineers at the next arena date walking around the floor, pushing “faders” up and down on an iPad while the digital console sits idle. But for smaller venues of 1,000-capacity and below—where house (and visiting) engineers are contending with multi-levels, multi-zones and an FOH board in a less-than-ideal spot—you may start seeing more iPad-mixed shows. And that’s exactly what house engineer Bobby Crown of the famed Troubadour club (Los Angeles) is doing. ...

Vinyl Music Hall | From Rubble to Big Leagues

Jan 1, 2011, By Sarah Benzuly

In just a few months, the new Vinyl Music Hall venue (Pensacola, Fla.) emerged in a spot that was formerly occupied by a gutted three-story Masonic temple. At the heart of the club are dual DiGiCo SD8s: an SD8-36 at front of house and an SD8-24 at monitors; a d&b audiotechnik Q1 P.A. system; and Meyer Sound USM-1P wedges, all supplied by Pensacola-based All Pro Sound. ...

FixIt: Gaelic Storm FOH Engineer Peter Wildermuth

Jan 1, 2011

With the unique combination of instruments in this band, the most challenging thing is making the mix sound full, without sounding brittle or harsh. There is an abundance of upper-midrange frequencies, especially in the fiddle and bagpipes, that require careful notch filtering. ...

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | Next



Polls



Mix Regional

The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




[an error occurred while processing this directive]

The Wire, a virtual press conference offering postings of the latest gear and music news, direct from the source. Visit the The Wire for the latest press postings.