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Road-Worthy Gear: New Sound Reinforcement Products, April 2010 

	
Mar 31, 2010
	
		
	

	
	
Mix magazine new sound reinforcement products column in the April 2010 issue of Mix magazine live sound products section article...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, March 2010

	
Mar  1, 2010
	
		
	

	
	
Movek myMix Movek's myMix, a networked personal mixer/multitrack recorder, can create up to eight independent stereo mixes and up to 18 tracks of multitrack...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, February 2010 

	
Feb  1, 2010
	
		
	

	
	
Mix magazine new sound reinforcement products column in the February 2010 issue of Mix magazine live sound products section article ...

	





	
Top-of-the-Line Handheld Mics

	
Jan  1, 2010, 
	By George Petersen
	
	

	
	
Every day, thousands of bands and artists around the world are getting ready to perform. With any show, there are a lot of details that need to be just...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, January 2010

	
Jan  1, 2010
	
		
	

	
	
Soundcraft Vi2 Digital Console Built in a frame that's barely 33 inches wide, the Vi2 handles up to 96 channels using the standard stage box and local...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, December 2009

	
Dec  1, 2009
	
		
	

	
	
CAD Audio VP Mics New from CAD Audio's Astatic Commercial line are the 1600VP (hanging model) and 1700VP (56-inch carbon fiber boom model) condenser mics...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, November 2009

	
Nov  1, 2009
	
		
	

	
	
Cadac Live1 Series Incorporating many amenities of Cadac's large-scale theater and touring consoles, the Live1 offers a cost-effective choice for FOH...

	





	
Road-Worthy Gear: New Sound Reinforcement Products, September 2009

	
Sep  1, 2009
	
		
	

	
	
AKG Updates C 747 AKG's new C 747 V11 condenser pencil microphone features an enhanced hypercardioid polar pattern offering improved off-axis rejection...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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