Slash Tour Profile

Apr 1, 2011 6:53 PM, By Sarah Benzuly

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Slash slinging his axe.

Slash slinging his axe.

Martin Walker

Martin Walker

Guitarist extraordinaire Slash is currently on the European leg of his worldwide tour. Mix caught up with production manager/front-of-house engineer Martin Walker.

How did you get involved with this tour?
The previous engineers are good friends of mine, and they needed someone to take over when they left to go back to their main gig: Linkin Park. Ken “Pooch” Van Druten [Linkin Park FOH] and I go back a long way and we worked together on Judas Priest, so he offered me the gig.

Why did you choose the DiGiCo SD8 board?
I love the DiGiCo range and felt that this was the most sensible desk to take from that range when we were doing a U.S. club/theater tour [last year]. I’ve carried it on through this year because it was just so easy to use and I was already set up to go on it.

Do you have a mixing style for Slash?
I keep things very simple—no plug-ins, no outboard. I use the graphics a lot and I use just four onboard effects. I feel that Slash’s style is very straightforward and needs no fancy treatment. The sounds coming off the stage are great and easy to work with. It’s a joy to work on—there’s plenty of dynamic and plenty of room for a few nice effects to come through. I have a great range of Shure mics, particularly the new KSM313s that I use on Slash’s guitar, but nothing out of the ordinary to be honest.

Where can we find you when you’re not on the road?
I live in the middle of nowhere in a tiny village in Lincolnshire, England, and spend as much time as I can with my wife and two small daughters, but time not on the road is rare. I have been with Judas Priest for the last 11 years and they keep me busy a lot of the time, and when I’m not out with them, Major Tom keeps me busy on Rod Stewart or I find myself behind the desk on Whitesnake, Testament and Mastodon, among others.






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