My Legacy Soapbox
Jul 1, 2000 12:00 PM, MIX STAFF
Most Popular
advertisement
Polls
TalkBack
Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.
I'm a pretty literate guy, capable of maintaining several computers on a network. The downside of the Wintel platform is that it is a "legacy" box full of potential gotchas. (Those with Apples that never glitch can cast the first stone!)
Recently, I was moving my MOTU MIDI TimePiece AV sync interface, which has served me so well for so many years, from my venerable Pentium 166 to my almost outdated 450MHz PII, connected via the parallel printer port. During installation, a pop-up warning message said the number of active MIDI ports permitted by Windows had been exceeded. Everything but the network card was pulled, the operating system was reloaded, and still the problem persisted.
Conflicts can be caused by legacy devices like Sound Blaster cards stealing resources in DOS but not reporting the same in Windows. (Network cards can be a problem also.) In my case, it was one of the serial ports-Com1 or Com2. I disabled both via CMOS setup, the driver loaded, and the software installed just fine. I cannot yet speak with authority about whether the Universal Serial Bus (USB) reduces legacy headaches, but one can only hope.
Acceptable Use Policy blog comments powered by Disqus
Mix Books
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Modern Recording and Mixing
This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95
Mastering Cubase 4
Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95
Newsletters
MixLine
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. Click here to read the latest edition; sign up here.
MixLine Live
Delivered straight to your inbox every other week, MixLine Live takes you on the road with today's hottest tours, new sound reinforcement professional products, recent installs, industry news and much more. Click here to read the latest edition; sign up here.
MixLine
Delivered straight to your inbox every other week, MixLine takes you straight into the studio, with new product announcements, industry news, upcoming events, recent recording/post projects and much more. Click here to read the latest edition; sign up here.
MixLine Live
Delivered straight to your inbox every other week, MixLine Live takes you on the road with today's hottest tours, new sound reinforcement professional products, recent installs, industry news and much more. Click here to read the latest edition; sign up here.






NAMM 2011: Fairlight CMI
State of NAMM 2011