Audio Insider
Online Monthly Pass

Register for an Account Forgot your Password?

         Subscribe in NewsGator Online   Subscribe in Bloglines

Law & Order Responds With Lectrosonics

May 18, 2005 8:00 AM, By Mix Editors

Polls


Free Live Webcast:

Understanding Bass Management
With Bob Hodas, November 20th

Brought to you by Ex'pression College for Digital Arts and Mix
Bob Hodas explores best practices for Bass Management in your studio, explaining how to set up a bass managed system, what features to look for in a Bass Management box and much more.
Read more and register here.

Check out our other webcasts here.


Mastering Stories

Our December issue will focus on mastering. We'd like to hear from mastering engineersÑtell us about your most interesting mastering project. E-mail us at mixeditorial@mixonline.com.


Remix Hotel News

Avid Presents: Remix Hotel Los Angeles| Dec. 4-6, 2008

Hot off an incredibly successful event in Atlanta, Remix Hotel is gearing up for its final event in 2008: Remix Hotel Los Angeles. We're busy putting together a killer weekend of panels, production and more. Keep it tuned to remixhotel.com for registration and schedule details, and be sure to check out all of the amazing videos from Atlanta and New York! .


This Month in Mix

Bill Daly

Engineer Bill Daly, a motion picture and television location sound mixer since 1968, reportedly uses Lectrosonics RF gear for his work on the popular TV show Law & Order and its spinoffs.

Daly has been with the show since it started and is now working on Law & Order: Special Victims Unit, a companion to the NBC show that is now in its sixth season. At the heart of his rig is a full rack comprising eight Lectrosonics UDR200C dual-channel, half-rack, diversity UHF receivers.

"Everything in my world is done wirelessly—the boom operator, the cast members—and we move so quickly that we don't have time to deal with cable." Daly is also responsible for wireless headphone feeds to everyone on the set, including Lectrosonics IFBs to several key people.

With the production shot quickly in the streets of New York—up to ten script pages a day, compared to three pages on a feature film—the Lectrosonics gear has to be 100 percent reliable in an environment thick with background RF signals. "In New York, you've always got the potential of getting hits from competition in the area," says Daly. "Having the ability to switch channels is great. Sure, everything works when you're standing next to the receiver, but go 50 feet away and everything can change."

Visit www.lectrosonics.com for more information.



Modern Recording and Mixing

This 2-DVD set will show you how the best in the music industry set up a studio to make world-class records. Regardless of what gear you are using, the information you'll find here will allow you to take advantage of decades of expert knowledge. Order now $39.95

Mastering Cubase 4

Electronic Musician magazine and Thomson Course Technology PTR have joined forces again to create the second volume in their Personal Studio Series, Mastering Steinberg's Cubase(tm). Edited and produced by the staff of Electronic Musician, this special issue is not only a must-read for users of Cubase(tm) software, but it also delivers essential information for anyone recording/producing music in a personal-studio. Order now $12.95