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Mix Presents Sound for Film: And the Award Goes To… Spectre

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Mix Presents Sound for Film: And the Award Goes To…

Spectre

This is Bond at his best, from the locales to the action sequences to the electronic gadgetry. With director Sam Mendes at the helm, it is Bond for 2015—energetic yet calm, dynamic yet in-your-face, real yet fantastical. The action, as always, never seems to let up, which can be hard in a sound track in that you have to give the audience room to breathe. The veteran sound team, which includes Academy Award winning supervisors Per Hallberg and Karen Baker Landers, along with an A-list re-recording team of multi-Oscar winning Scott Millan and Gregg Rudloff, does just that, ducking under the soothing and sometimes frenzied Thomas Newman score. Great dynamics throughout, and that’s not easy.

Director: Sam Mendes

Movie Studio: Columbia Pictures

Sound Re-Recording Facility: Pinewood Studios

Re-Recording Mixers: Scott Millan, Gregg Rudloff

Sound Designer: Christopher Assells, Ann Scibelli, Peter Staubli

Supervising Sound Editor: Per Hallberg, Karen Baker Landers

Sound Editorial: Ando Johnson, sound effects editor; Philip D. Morrill, first assistant sound editor; Tony Negrete, assistant sound editor; John T. Cucci, Foley artist; Dan O’Connell, Foley artist; Peter Michael Sullivan, Foley supervisor; James Ashwill, Foley mixer; Jessie Pariseau, Foley editor; Daniel Saxlid, dialog supervisor; Michael Miller, ADR mixer; Michelle Pazer, ADR editor; Nick Jimenez, ADR recordist; Alexa Kahn, ADR recordist; Mike Tehrani, ADR recordist

Production Sound Mixer: Stuart Wilson

Music By: Thomas Newman

Music Scoring Mixer: Simon Rhodes

Music Editor: Bill Bernstein, supervising music editor; Peter Clarke, music editor; Yann McCullough, music editor

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