Sound Design for 'The Three Stooges'

By Matt Hurwitz | May 01, 2012

What makes a Stooge sound like a Stooge? Like when Curly gets conked on the head with a pipe or when Moe pokes Larry in the eyes? A certain generation knows those sound effects so well that it...

Editor's Note: Beginning to Understand 7.1

By Tom Kenny, Editorial Director | Apr 01, 2012

I freely admit that I didn’t understand the drive behind 7.1 when people started talking about it almost a decade ago. I understood the appeal, with a Side Right and a Side Left to go with Rear...

The Pro Audio PIT at NAB

By Mix Staff | Apr 01, 2012

The NAB Show, to be held April 16-19 in Las Vegas, presents a dizzying array of product introductions, fueling the constant technological changes in the industry—from workflow to encoding to new...

SSL Rolls Onto CRAS Campus

By Mix Staff | Apr 01, 2012

As part of its continuing tour of the U.S., the new Solid State Logic Broadcast Equipment Demonstration Vehicle recently paid a visit to the Conservatory of Recording Arts and Sciences’ Gilbert,...

Motion Picture Sound Editors Honor George Watters II

Compiled by Mix Editors | Mar 01, 2012

Supervising sound editor George Watters II took home the 2012 MPSE Career Achievement Award at the 59th Annual Golden Reel Awards, held February 19. Watters II is a two-time Academy Award–winning...

'War Horse'

By Blair Jackson | Jan 01, 2012


AES Tackles Digital Cinema

Compiled by Sarah Benzuly | Jan 01, 2012

The Audio Engineering Society has formed a provisional committee to review audio reproduction for digital cinema and television. Spearheaded by Brian McCarty, managing director at Coral Sea Studios...

Turner Turns to Lawo

By Sarah Benzuly | Jan 01, 2012

Turner Studios, the broadcast production division of Turner Entertainment Group, has taken delivery of a second Lawo mc290 production console in its Audio Control Room 21 (ACR21), handling live...


Editor's Note

Based On Relationships

Oct 05, 2017 - From The Editor... More