NAMM 2011: Sonnox Fraunhofer Pro-Codec

Jan 14, 2011

The new Sonnox Fraunhofer Pro-Codec plug-in makes it possible to precisely audition codecs in real time. This breaks away from the current time-consuming cycle of having to encode the mix to MP3/AAC, preview it, tweak it and then go back and re-render. The entire process is accomplished on the fly, and frees the engineer to focus on producing a compensated, optimized mix. ...

NAMM 2011: Bock 241

Jan 14, 2011

This mid-priced vocal tube microphone features a high-frequency flat-or-minus switch, dedicated cardioid operation and outboard inductor-based power supply to drive the vintage-inspired tube circuitry. Users will note the 241 offers a similar look and feel to the Bock 251 due to a revised body and head grille that better approximates the 251's sonic cardioid characteristics. The 241 will replace the 151 at exactly the same price point...

NAMM 2011: Auralex SonoLite

Jan 14, 2011

The new SonoLite™ fabric-wrapped Studiofoam®Pro panels is a 2′x2′x1″ fabric-wrapped StudiofoamPro panel, available in black or beige, with squared edges that provides an overall Noise Coefficient Rating (NRC) of 0.75. It will be offered at a retail price of $24.99 per panel. ...

NAMM 2011: KK Audio Labs DS-6

Jan 14, 2011

This two-way powered studio reference monitor features a 6-inch low-frequency driver using proprietary composite-cone material together with a 1-inch, custom-designed titanium composite high-frequency tweeter. KK audio labs amplifier modules deliver 200W to the tweeter and 350W to the woofer, respectively. ...

NAMM 2011: Universal Audio UAD-2 Satellite

Jan 14, 2011

The UAD-2 Satellite family combines DSP acceleration with the plug-and-play simplicity of FireWire 800/400. The UAD-2 Satellite puts the entire UAD Powered Plug-Ins library within easy reach of FireWire 800– and 400-equipped computers; no PCIe card installation required. In developing these UAD plug-ins, UA’s DSP engineers worked with leading hardware manufacturers—including Roland, Neve, Studer, dbx, Solid State Logic, Lexicon, Manley, Empirical Labs, Trident, SPL, EMT and more —using their exact schematics, golden units and experienced ears. ...

NAMM 2011: Drawmer 4x4R Active Signal Splitter

Jan 14, 2011

The 4x4R offers four inputs, each switchable between a mic and line. Each of four input sections offers a six LED meter, 48V phantom switch, 66 dB of mic gain and a Listen function to monitor any of the four input sections through the front panel headphone amp. ...

NAMM 2011: iZotope Stutter Edit

Jan 14, 2011

Stutter Edit is iZotope's first collaboration with Grammy-nominated composer and electronic musician Brian Transeau (BT). Stutter Edit's features revolve around a live sampling engine that lets producers, laptop performers and other musicians manipulate audio in real time. Stutter Edit slices audio into small fragments and sequences the pieces into razor-sharp rhythmic effects. Results can range from jarring to subtle. The complex set of tools in Stutter Edit is balanced by an elegant MIDI control scheme, which makes adding effects a completely intuitive process. ...

NAMM 2011: Electro-Voice Live X

Jan 14, 2011

The new Live X series of portable powered and passive loudspeakers comprises three powered and four passive models. 
...

NAMM 2011: Soundcraft Vi1

Jan 14, 2011

The Vi1 is a complete stand-alone console package with 32 channels of analog input to 27 analog outputs, plus six digital inputs, four stereo FX returns and six digital outputs in one chassis. As standard, input to mix capacity is 46 channels, but by adding a stagebox (compatible with the existing Vi racks), simultaneous channel count increases to 64. Channels are routable to 24 multifunction buses, plus L/R and mono mix buses. ...

NAMM 2011: Crown Audio XTi 2

Jan 14, 2011

NAMM 2011: Crown Audio XTi 2
The XTi 2 features enhanced control with Crown’s PeakX Plus™ limiters. The limiters are derived from the same framework as those found in I-Tech HD and the new XLS DriveCore Series amplifiers, allowing users to manipulate threshold, attack and release times. A new and improved subharmonic synthesizer offers more accurate control over which frequencies are targeted and can be tailored for a specific system or room setup. ...

NAMM 2011: JBL EON515XT

Jan 14, 2011

The EON515XT active loudspeaker features improved input sensitivity, a lowered noise floor, user-selectable EQ control and a re-voiced system for peak performance and enhanced audio precision. ...

NAMM 2011: Rycote InVision Studio Kit

Jan 14, 2011

This complete suspension and pop filter system will accomodate almost any large-diaphragm vocal microphone, and also allows mics to be swapped without the need to change the suspension and pop filter at the same time. ...

NAMM 2011: HK Audio Elements

Jan 14, 2011

Now available for the first time in the U.S., HK Audio offers its Elements modular sound reinforcement, which merges the benefits of modern line array technology with the portability and easy handling of ultra-compact P.A. systems....

NAMM 2011: AKG Drumset Groove Pack

Jan 14, 2011

Combining the sound quality of the P2 and P4 Microphones with a P 17 Condenser microphone, three mounting clamps and two stand adapters, AKG’s Drumset Groove Pack offers drummers and percussionists an all-inclusive solution for live and recorded sound. The Drumset Groove Pack comes in an all-metal carrying case with six microphones for bass, drum and overhead positioning. ...

NAMM 2011: K-Array KR400S

Jan 14, 2011

The KR400S features innovative design and construction, resulting in high output within a very small physical footprint. Crafted in Italy, the KR400S is an ultra-slim, two-way loudspeaker designed for small to medium wavefront systems in both mobile and installed applications. It includes two KR400 satellites and two KL21ma powered subwoofers. ...

NAMM 2011: Lectrosonics Quadra

Jan 14, 2011

The Quadra digital wireless monitor (IEM) system comprises the M4R ($1,765) beltpack diversity receiver and the M4T ($2,875 MSRP) half-rack transmitter, and features digital RF modulation, two or four channels of 24-bit/48kHz digital audio, analog or digital inputs, and a mixing interface for users. ...

NAMM 2011: Sennheiser MK 4

Jan 13, 2011

The new MK 4 is a large-diaphragm, true condenser microphone. This cardioid microphone is Sennheiser’s first large-diaphragm side-address microphone. It features a nickel-colored finish and has a large 1-inch diaphragm spattered with 24-carat gold. ...

NAMM 2011: Avid Torq 2

Jan 13, 2011

Torq 2 is a high-performance solution featuring advanced professional features and new flexible workflow options for creative DJ performance and real-time remixing and production. ...

NAMM 2011: Sonodyne SM 50Ak, SM 100Ak

Jan 13, 2011

The SM 50Ak ($1,050 pair) is the smallest monitor in the Sonodyne range. Its active bi-amp design delivers 45W to the 51/4-inch woofer and 45W to the tweeter to smoothly reproduce 70 to 22k Hz. Its aluminum enclosure and well-considered shape contribute to the open high end, honest midrange and tight bass....

Countdown to NAMM 2011: Blue Microphones Reactor Multipattern Mic

Jan 12, 2011

Blue Microphones announces Reactor ($499 MSRP), a large-diaphragm condenser microphone that combines large-format capsule technology with an innovative pattern selection method with a swiveling capsule head for precise positioning. Featuring Blue’s premium condenser capsule and proprietary preamp circuit, Reactor allows for noiseless live switching between the three distinct patterns (cardioid, omni or bi-directional)....

Countdown to NAMM 2011: A-Designs JM-3001 Preamp/EQ

Jan 11, 2011

The JM-3001 ($2,600 retail) from A-Designs Audio is a versatile preamplifier, equalizer and instrument input housed in a single-rack-space frame. Hand-built in the U.S., the new unit features three inputs—microphone, instrument and EQ/insert—that can be used together or independently. It also offers a musical three-band parametric EQ and high/low filters, as well as two independent transformer balanced outputs (microphone and EQ)....

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The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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