Gold Line

May 14, 2004

GOLD LINE MK10 OMNI MICFebruary 2001—The MK10 microphone from Gold Line offers ultraflat frequency response, making it ideal as a measurement microphone...

Shure KSM44, February 2001

May 14, 2004, By Michael Cooper

The KSM44 multipattern condenser mic is the second offering in Shure's KSM microphone line. It follows on the heels of the cardioid-only KSM32...

CAD VSM, July 2000

May 14, 2004, By Michael Denten

Made entirely in the USA, the VSM (formerly dubbed the VSM 1) tubecondenser mic features CAD's patented Optema capsule, a 3-micron, 1.1-inch diaphragm...

Royer Labs

May 14, 2004

ROYER SF-1V TUBE RIBBONMarch 2002—At Winter NAMM, Royer launched the $5,500 SF-1V, a vacuum tube ribbon mic designed for choirs, orchestras or other distance-miking...

SE Electronics Z-5600, February 2003

May 14, 2004, By George Petersen

Several years ago, David Zou—a musician and former conductor of the Shanghai Symphony...

Groove Tubes

May 14, 2004

GROOVE TUBES MODEL 1BNovember 2002—Groove Tubes’ Model 1B (distributed by M-Audio, www.m-audio.com) is a reissue of its legendary Model 1A side-address...

BLUE Kiwi, April 2001

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) is now shipping its Kiwi multipattern studio mic. B.L.U.E.'s top-of-the-line, solid-state...

Glossary of Basic Microphone Terms

May 13, 2004

Here is a compiled list of common microphone terms. Note that articles inside "MixGuides" have words "hyperlinked" for easier understanding of common terms....

Brauner VM1, April 1998

May 13, 2004, By George Petersen

A year ago, in Munich, I met a studio owner/engineer who had turned his passion for electronic design into a business called Dirk Brauner Röhrengerätemanufaktur...

AEA R84 Ribbon Microphone, October 2003

May 13, 2004, By Kevin Becka

AEA's slick, retro-looking R84 ($1,000) is the newest mic in designer Wes Dooley's product line. Sensitivity of the R84 is -52...

Audix D Series, January 1997

May 13, 2004

The Audix D Series of dynamic microphones offers three powerful tools when used for the right job. When I first encountered these instrument mics, my...

Audio-Technica AT835ST and AT815ST, April 2001

May 13, 2004, By Ty Ford

In the rapidly changing world of pro audio, taking things for granted may not be a good idea. If you think you know what to expect from a stereo shotgun mic,...

Alesis/GT Electronics AM52 and AM62, July 1999

May 13, 2004, By Larry the O

Alesis has successfully made its mark in signal processors, drum machines, sequencers, synthesizers, tape recorders (and what a mark that is) and studio monitors...

Audio-Technica AT4054 and AT4055, May 1998

May 13, 2004, By George Petersen

Nine years ago, Audio-Technica began setting its sights on the pro studio market with the introduction of its AT4031 and AT4051 condenser microphones....

Audio-Technica 30 Series, May 2002

May 13, 2004, By George Petersen

Audio-Technica's 30 Series condenser mics offer extended frequency response, high-SPL handling, excellent...

Brauner VM1 KHE (Klaus Heyne Edition), October 2002

May 13, 2004

The Brauner VM1 tube condenser microphone garnered a lot of praise when it was introduced in 1994 because of its deft marriage of subtle tube sweetness,...

ADK A-51TC, October 2001

May 13, 2004, By Barry Cleveland

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET...

Audix D6, December 2002

May 13, 2004, By George Petersen

I use a variety of mics for kick, such as a Sennheiser MD-421, Beyer M88, E-V RE20, AKG D112 and even E-V's 664 “ray gun,” which transforms any bass...

AEA R44C, April 1999

May 13, 2004, By Shawn Murphy

For those of us engaged in professional recording on a daily basis, the availability of "classic" microphones is often more of a necessity than a luxury. Even with the development of ultraquiet and linear microphones,...

Audio-Technica AE2500 Dual-Element Mic, June 2003

May 13, 2004, By Barry Rudolph

A totally new, innovative mic design, the Audio-Technica AE2500 uses specifically designed dynamic and condenser...

AKG C 3000B, March 2000

May 13, 2004, By George Petersen

Several years ago, when AKG unveiled its C 3000, it was nearly an instant success, providing decent performance at a price that is quite low for a large-diaphragm studio condenser....

Audio-Technica AT3060, July 2003

May 13, 2004, By Barry Rudolph

The AT3060 tube condenser microphone is a new addition to Audio-Technica's 30 Series...

AKG C 2000B, December 2000

May 13, 2004, By Robert Hanson

Not to be left off the low-cost condenser bandwagon, AKG has climbed aboard with the AKG C 2000B....

Audio-Technica AT4047/SV, July 2000

May 13, 2004, By Roger Maycock

For nearly 40 years, the people at Audio-Technica have been dedicated to the advancement of electroacoustic design and manufacturing, establishing an enviable reputation for building good-sounding, reliable products....

AKG C 4000B, July 1999

May 13, 2004, By Hunter Pipes

Since the dawn of magnets, engineers and musicians alike have searched for warm-sounding, durable and affordable microphone technologies. Well, search no longer—the AKG C 4000B has arrived....

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