AKG

May 17, 2004

AKG C-414 B-XLS AND C-414 B-XL IIMay 2004—The next generation of AKG's industry-standard C 414 studio condenser are available in C-414 B-XLS (ultralinear)...

Sound Effects Recording, April 1997

May 17, 2004

The world is full of sounds that are too often taken for granted. Those of us who spend huge chunks of our lives in studios and listening rooms, analyzing...

Lawson L251, February 2004

May 14, 2004, By Michael Cooper

The Lawson L251 is a side-address, dual-diaphragm tube condenser mic that offers many extras, including an infinitely variable polar pattern, two bass-frequency contour settings and a 10dB pad....

Shure KSM27, January 2002

May 14, 2004, By Barry Rudolph

I can't help but “feel the love” from a company that broadens its product line by offering a lower-priced model that could directly compete with its existing line. Retailing at $575, the all American-made...

Brauner

May 14, 2004

BRAUNER VMANovember 2003—Dirk Brauner (dist. by Transamerica Audio Group, www.transaudiogroup.com) showed VMA at AES NYC, an upscale (!) version of his...

Audix

May 14, 2004

AUDIX I-5May 2004—The Audix I-5 is a dynamic cardioid instrument mic for stage and studio, with a durable cast-zinc alloy body, dent-resistant grille...

Electro-Voice N/D868 and Audix D4, January 1998

May 14, 2004, By George Petersen

Every day, microphones get more and more specialized. This month, Mix looks at two new kick drum mics: the Electro-Voice N/D868 ($370) and the Audix D4 ($329)....

RØDE Microphones

May 14, 2004

RODE S1 HANDHELD CONDENSERMarch 2004—At Winter NAMM, Aussie mic company RØDE brings its studio sound to the stage with the S1, a high-performance handheld...

DPA 4006, September 1999

May 14, 2004, By George Petersen

I don't know about you, but too often when a company changes its name or comes out with a new model that's "just the same as the old one," I tend to be suspicious....

TC Electronic Announces Upgrades and New Products

May 14, 2004, Editors

TC Electronic announces a new version of the highly-acclaimed Restoration Suite, a set of audio restoration tools for PowerCore and the debut of the Mastering...

Lawson Microphones

May 14, 2004

LAWSON AIROctober 2003—The Lawson AIR mic is a large-diaphragm, hypercardioid, 48V, phantom-powered condenser mic with a tailored response to specifically...

Neumann Series 180, August 2000

May 14, 2004, By Barry Rudolph

Neumann's new Series 180 condenser microphones consist of three models: the KM 183, KM 184 and KM 185....

Earthworks Z30X, January 1999

May 14, 2004, By Larry the O

In 1996, Earthworks came seemingly out of nowhere with the TC30K, an omnidirectional microphone that featured response up to 30 kHz and got rave reviews....

Sanken

May 14, 2004

SANKEN CS-1 SHORT SHOTGUNOctober 2003—The CS-1 Short Shotgun Microphone employs the same innovative technology as previous Sanken mics in a smaller, ultracompact...

MBHO

May 14, 2004

MBHO 440-CLMApril 2003—MBHO Microphones has upgraded its small-diaphragm MBNM 440-CL condenser microphone. Now designated the 440-CLS, the mic features...

Microtech Gefell M 930, August 2000

May 14, 2004, By Ty Ford

The sheer number of inexpensive, large-diaphragm cardioid condenser mics now available makes it hard to choose one, and the clamor caused by $500-and-under...

PowerFX Unleashes Miracle Free, Miracle Beat

May 14, 2004, Editors

PowerFX, a leading provider and digital distributor of loops, sound effects and music samples, released Miracle Beats, a sample CD and VST/AU instrument combination that includes the award-winning LoopMorph™ technology....

Oktava

May 14, 2004

OKTAVA MKL5000April 2003—At Musikmesse, Oktava unveiled the MKL5000, its first multipattern tube mic, with a large-diaphragm capsule mounted above the...

SE Electronics

May 14, 2004

SE ELECTRONICS GEMINI AND ICISMarch 2004—SE Electronics showed several unique entries at Winter NAMM: Gemini is a large-diaphragm cardioid studio condenser...

SPL Atmos 5.1/ASM 5, November 2000

May 14, 2004, By George Petersen

A new product based on "innovative microphone technology" all too often turns out to be just a low cost knock-off of a classic studio...

BLUE Microphones

May 14, 2004

BLUE BLUEBIRDNovember 2003—The DigiMic? Not exactly—BLUE Microphonesteamed up with Digidesign at AES NYC to offer a special-edition mic, supplied exclusively...

Lawson L47MP, May 1998

May 14, 2004, By Michael Cooper

I often find the pro audio products made by small companies to be more compelling than those mass-produced by larger corporations....

Soundfield

May 14, 2004

SOUNDFIELD B-FORMAT MICNovember 2002—Soundfield's SPS422B mic offers four operational modes: mono, M/S, stereo and B-Format. Retaining all of the SPS422...

T.H.E. Audio

May 14, 2004

THE AUDIO KR SERIESAugust 2003—The modular KR Series of large-diaphragm studio microphones from T.H.E. Audio (Taylor Hohendahl Engineering) comprises...

DPA 4015, February 2003

May 14, 2004, By Laura Pallanck

The newest addition to DPA's 4000 Series is the 4015 ($1,850). DPA calls this mic a wide...

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