RØDE Classic, April 1997

May 14, 2004

When I first heard that Australian company RØDE was offering a multipattern, large-diaphragm tube condenser mic for only $1,999, I was a bit skeptical....

ADK Microphones

May 14, 2004

ADK A-48 VINTAGE VALVE
March 2003—ADK Microphones' A-48 Vintage Valve is a studio condenser mic...

Brauner Valvet, January 2000

May 13, 2004, By Ty Ford

It's easy to get jaded about microphones today. You can't swing a dead cat without hitting another new condenser mic. And the constant din of "just as good as" in the marketplace is loud enough to rattle the fillings...

Minilyzer Supports AFILS Measurements

May 13, 2004, Editors

NTI AG announces the release of the Minilyzer firmware release V3.10 supporting induction loop measurements and extended individual harmonic distortion analysis from 2nd to the 5th harmonic....

Brauner Phantom C, March 2004

May 13, 2004, By Michael Cooper

Brauner has a reputation for building ultratransparent tube mics with very low self-noise and high sensitivity....

L.A.'s Chace Audio Celebrates Two Decades

May 13, 2004, Editors

Chace Audio, well known for sound preservation and restoration, celebrated its 20th Anniversary in April 2004, marking an important milestone for the Los Angeles area facility....

Beyerdynamic Opus 69 and 81, April 2001

May 13, 2004, By Robert Hanson

Beyerdynamic's latest performance mics are the Opus 69 and the Opus 81. The $299 69 is a...

Audix SCX-25, April 2002

May 13, 2004, By Ty Ford

In a market awash with lowball Neumann wannabe lookalikes, the Audix SCX-25 is a refreshing sight and looks like no mic I've ever seen....

ADK A-51TC, October 2001

May 13, 2004

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET condenser mics. Following on...

BLUE The Blueberry, February 1999

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) has always been an innovative company that does things differently. For example, its B7 Lollipop is a...

BLUE Kiwi, April 2001

May 13, 2004, By George Petersen

Baltic Latvian Universal Electronics (B.L.U.E.) is now shipping its Kiwi multipattern studio mic. B.L.U.E.'s top-of-the-line, solid-state...

Glossary of Basic Microphone Terms

May 13, 2004

Here is a compiled list of common microphone terms. Note that articles inside "MixGuides" have words "hyperlinked" for easier understanding of common terms....

Brauner VM1, April 1998

May 13, 2004, By George Petersen

A year ago, in Munich, I met a studio owner/engineer who had turned his passion for electronic design into a business called Dirk Brauner Röhrengerätemanufaktur...

AEA R84 Ribbon Microphone, October 2003

May 13, 2004, By Kevin Becka

AEA's slick, retro-looking R84 ($1,000) is the newest mic in designer Wes Dooley's product line. Sensitivity of the R84 is -52...

Audix D Series, January 1997

May 13, 2004

The Audix D Series of dynamic microphones offers three powerful tools when used for the right job. When I first encountered these instrument mics, my...

Audio-Technica AT835ST and AT815ST, April 2001

May 13, 2004, By Ty Ford

In the rapidly changing world of pro audio, taking things for granted may not be a good idea. If you think you know what to expect from a stereo shotgun mic,...

Alesis/GT Electronics AM52 and AM62, July 1999

May 13, 2004, By Larry the O

Alesis has successfully made its mark in signal processors, drum machines, sequencers, synthesizers, tape recorders (and what a mark that is) and studio monitors...

Audio-Technica AT4054 and AT4055, May 1998

May 13, 2004, By George Petersen

Nine years ago, Audio-Technica began setting its sights on the pro studio market with the introduction of its AT4031 and AT4051 condenser microphones....

Audio-Technica 30 Series, May 2002

May 13, 2004, By George Petersen

Audio-Technica's 30 Series condenser mics offer extended frequency response, high-SPL handling, excellent...

Brauner VM1 KHE (Klaus Heyne Edition), October 2002

May 13, 2004

The Brauner VM1 tube condenser microphone garnered a lot of praise when it was introduced in 1994 because of its deft marriage of subtle tube sweetness,...

ADK A-51TC, October 2001

May 13, 2004, By Barry Cleveland

ADK made waves a few years ago with the debut of its A-51 (Area 51) Series of affordable—around $400—large-diaphragm FET...

Audix D6, December 2002

May 13, 2004, By George Petersen

I use a variety of mics for kick, such as a Sennheiser MD-421, Beyer M88, E-V RE20, AKG D112 and even E-V's 664 “ray gun,” which transforms any bass...

AEA R44C, April 1999

May 13, 2004, By Shawn Murphy

For those of us engaged in professional recording on a daily basis, the availability of "classic" microphones is often more of a necessity than a luxury. Even with the development of ultraquiet and linear microphones,...

Audio-Technica AE2500 Dual-Element Mic, June 2003

May 13, 2004, By Barry Rudolph

A totally new, innovative mic design, the Audio-Technica AE2500 uses specifically designed dynamic and condenser...

AKG C 3000B, March 2000

May 13, 2004, By George Petersen

Several years ago, when AKG unveiled its C 3000, it was nearly an instant success, providing decent performance at a price that is quite low for a large-diaphragm studio condenser....

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The Mix Regional section for Mix's September 2014 issue focuses on Miami. Send us your studio news: updates, sessions, new rooms, plus club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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