Turnkey Acoustic Treatment Packages

Are you thinking about adding a new edit suite or doubling your studio floor space? You can easily turn an unused storage area into a tracking room or

Are you thinking about adding a new edit suite or doubling your
studio floor space? You can easily turn an unused storage area into a
tracking room or create a new voice-over recording booth almost from
thin air, thanks to several complete DIY acoustical materials packages
and iso booths on the market.

Are you battling front-to-back flutter and standing waves? Excessive
side wash and primary reflections? Or is there simply too much bass in
your newly created audio space? There are many ways to tackle these
acoustic challenges, as well. Although you can certainly pick and
choose individual materials to adjust your room (and for more
information on those products, read our buyer's guide to acoustical
materials in June 2001 Mix), sometimes an all-in-one package is a
convenient and cost-effective solution.

In this article, we'll take a look at some of these turnkey
packages, focusing on ways to isolate a small to medium space, plus get
a headstart on acoustically treating a 15×15-foot or larger room
with one package.

THE PACKAGES

Created with the company's Tube Trap, Studio Trap and Monitor Stand
components, Acoustic Science's AttackWall ($4,998) provides a
portable and repeatable sound field wherever it travels. Placed aside
monitors and with its absorptive sides rotated in toward the engineer,
the 20-piece AttackWall package creates a well-tuned, soffit-loaded,
dead front end that is stated to be absorptive down to 110 Hz while
eliminating vertical low-bass bounce. The MixStation System ($1,500) is
an economical soundproofing package available for medium and small
rooms. MixStation consists of three wall-mounted diffuse panels (front,
left and right arrays) and 10 of the company's Sound Panels, 48×8
inches by 2-inch-thick panels available in a wide selection of fabrics.
Each Sound Panel's beveled-relief face helps provide absorption from
200 Hz over the entire treble range, and all Tube Trap products use a
built-in reflector strip to maintain diffusive brightness.

Check out Acoustic Science's Iso-Wall System package as well
(approximately $3 per square foot for wall and ceiling area) when
you're ready to get more physical with sound issues and build some
seriously sound-treated walls. This multilayered wall package is made
up of unique damping materials that utilize a special visco-elastic
polymer designed to absorb low-frequency bass energy and keep it from
feeding back into a room, resulting in cleaner, richer sound and a
better balanced-frequency response. There's even an interactive
QuickTime 3-D tool on the company's site that walks visitors through
each step of the Iso-Wall installation process.

Offering solutions for spaces ranging from a tiny 34×26-inch
vertical square to a 7×7-foot room with an 8-foot ceiling,
Acoustic Systems calls itself “a construction company
doing custom sound isolation work for several markets,” including
pro audio. With prices starting at $4,195, each Acoustic System room is
a modular, pre-engineered space with various options for fully floated
floors, silenced ventilation, canted windows and handy cable-management
packages. The company's BB-141 is great as a single-person voice-over
booth; its BB-142 does the same for one person and a lot of desktop
audio gear, with an internal 110-volt recessed outlet and externally
mounted six-plug outlet strip for surrounding equipment. The Delta 142
booth fits 4-inch-thick panels into the tiniest of studio corners to
provide space and soundproofing for a classy-looking voice-over room or
a new computer post-production suite.

One of the most affordable all-in-one soundproofing solutions
available is the Model 1014 Acoustakit ($398) from Acoustics
First
. It comes complete with enough foam, bass traps and patented
binary-array diffusers to handle any 10×14-foot desktop music
production suite or small mixing room. Acoustakit includes the
company's Cutting Wedge acoustical foam panels, a selection of their
Bermuda Triangle Traps for bass control and original Art Diffusor
panels. The kit, which ships in studio-gray foam, comes with complete
installation, room layout and technical documentation from the
company's new full-time acoustician.

Auralex's line of total room control kits (call for pricing)
provide all you'll need to treat a tiny edit space, 20×20-foot
facility and everything in between. Ease of installation is primary in
all four charcoal-gray kits, starting with the 64
1'×1'×2"-thick foam Wedgies, four LENRD Bass Traps and can of
Foamtak Spray Adhesive found in the Alpha 1 Roominator Kit. The Alpha 1
is designed for small rooms — less than 100 square feet with a
minimum room dimension of six to eight feet — and the Project 2
Kit does the same for rooms measuring roughly 12×8 feet with two
dozen 2'×2'×2" Wedge Panels, eight LENRD Bass Traps and five
Tubetak Pro Liquid Adhesives. Deluxe Plus Kit adds six T'Fusor 3-D
Sound Diffusor panels to the Project 2 Kit for rooms with 10- to
14-foot walls, and the Pro Plus Kit acoustically treats rooms up to 500
square feet with additional T'Fusors, Bass Traps and Wedge Panels.

Also from Auralex is the MAX-Wall Modular Acoustical Environment
Series. (MAX stands for Mobile Absorptive Expandable.) Available in
charcoal gray, burgundy and “vivid purple,” each MAX-Wall
package combines modular speaker stands, windowed panels, corner
couplers and stand-mounted LENRDs in different ways to suit different
rooms' acoustical treatment requirements. MAX-Wall panels with
18×12-inch Plexiglas windows can be angled and attached to create
convenient vocal and dialog booths built right into a transportable
sound wall.

The Acoustic Division of Gretch-Ken Industries,
Soundsuckers.com
offers a wide selection of standard and custom
sound-isolation booths. Each booth comes with a heavy-duty door closure
system with compression door seal, a sound-deadening window, internal
lighting, 3-inch cable passage hole, 2-inch-thick acoustic foam, and a
ventilation system specific to each booth's size to prevent
“overbuying” a one-size-fits-all ventilation system.
Smaller booth sizes require no extra hardware or parts. A
4'×6'×7'2" premium model booth with all the above and a
1×2-foot window in the door and 3×3-foot wall window, with 1
⅜-inch walls costs $3,835; an economy version of the same costs
$2,499 with 1 ½-inch walls, and a full-blown 8×8-foot premium
room goes for $6,835. Custom orders don't upset the Gretch-Ken folks:
They recently built a 64×38-foot iso booth for the UC
Berkeley.

Another provider of audio isolation is Markertek, with its
pair of affordable booths, aptly titled the Portable Double Sound Booth
($1,149) and Portable Sound Booth ($595). The PMB-2 is a single-person
booth, and the PMB-3 double-wide (3.5×7×6.5 feet tall), which
includes eight acoustic foam panels and all leg, clip and crossbar
parts, can isolate two or three musicians or dialog cast members and be
combined with another PMB-3 to create a very portable 7×14-foot
room. Markertek, which is also a distributor and dealer for many other
acoustical materials companies, offers many porta-booth accessories,
including a cross-bar microphone mount ($59.95), single- ($99.95) and
double-booth ($129.95) cordura travel bags, replacement acoustic foam
kits (from $99.95) and low-wattage clip-on lights ($19.95 each, bulb
not included).

Primacoustic, a division of CableTek, offers over a
dozen all-in-one soundproofing packages for existing rooms. Complete
rooms can be treated with the London Studios, New York Voice-Over
Booths, Rio Video Suites and Montreal Studios “Prima-kits,”
which start at just $200. Good for soundproofing a 14×10-foot
desktop production room with a live drum kit, London-14 ($600) is a
19-piece solution that features the company's Europa-63 Flutter Walls
for reducing slap echo and standing waves, a pair of Orientique-33
Washboards to dissipate primary reflections, four Australis Corner
Traps for controlling the low end in each corner and numerous
Scandia-74 Scatter Blocks for soft diffusion. Systems can be customized
with other products such as the new Razorblade Quadratic Diffusers.

Studio-in-a-Box Silver Package ($549.99) is the first in a series of
project studio turnkey solutions from RPG Diffusor Systems.
Including 46 individual pieces, Silver Package uses the company's
ProFoam Panels to control comb filtering arising from strong
reflections in a small room, ProFoam Tiles mounted in a 1×1-foot
checkerboard pattern to provide a variable-impedance surface, and four
ProCorners to increase low-frequency absorption down to 125 Hz, while
seamlessly integrating with the kit's ProFoam Panels. Studio-in-a-Box
Silver Package components come in white, white fleck and gray fleck
Class-A Melaflex, and charcoal gray, blue and purple Class-B/C Polyflex
material. One kit can acoustically treat a project studio room up to
14×10×8 feet high.

Primarily focusing on custom acoustic treatment designs,
Taytrix also offers a nine-piece package of acoustically paneled
gobos called Vocal Package ($3,000). Six full-sized StackIt Portable
Gobos, each with a Plexiglas window, and three short gobos can be
combined in a number of configurations to form a vocal booth and room
dividers or amp enclosures. One side of each gobo is made of natural
maple for low-frequency absorption and high- and midrange frequency
deflection, while the other is covered in absorptive acoustical
material. A rounded-edge design allows each Vocal Package gobo to be
set up at virtually any angle. Cable feed panels are available, and
gobos are offered in blue, neutral, green, oatmeal and slate.

The folks at VocalBooth.com say two people can assemble a
typical 4×4×7-foot tall Calvin Mann booth in less than
an hour. Each expandable room comes standard with 1-inch-thick hard
walls with high-density, 2-inch interior acoustic foam, the company's
proprietary 1-inch foam core door with 2-inch acoustic foam, and
exterior and interior seals with a door latch system that compresses
and locks. Options and accessories include various ventilation system,
window, sub floor, foam and caster wheel base choices. VocalBooth.com
spaces start at $1,499, and as of this writing, the company was
offering the Producer's Special model ($7,399), an 8×12-foot sound
room with three windows, two ventilation systems, door window, lighting
and sub-flooring.

V-Room Booth from Wenger Corp. is a sound-isolating modular
booth for recording studio and broadcast applications that's flexible
when it comes to audio relocations. V-Rooms from 3'9"×5' up to
10×10-foot (interior dimensions), ranging from $8,700 to $17,000,
come complete with a Wenger technician installation, and options
include several window and lighting choices, communications passages
for studio cabling, floating floors, extended height doors and variable
active acoustics that can simulate 10 different acoustical
environments. Other isolation options include horizontal and vertical
windows, double doors and a way to increase a V-Room's height by 15 or
30 inches when space allows.

WhisperRoom's line of modular and expandable 7-foot-tall
sound-isolation rooms can be tailored from a snug 3.5×2.5-foot
vocal booth up to a 8.5×15.5-foot room ($2,185 to $18,525 and up,
respectively, depending on options). Each WhisperRoom can expand in
wall thickness, size and features when the user chooses from a
selection of wall and door window, ventilation system, caster plate and
Soundwave Deflection System (SDS) options. (SDS panels are available
for all SE2000 Series WhisperRooms, and are used to control soundwave
reflections and to convert parallel into nonparallel walls when the
user attaches a series of panels to two perpendicular walls.) A
¼-inch-thick window deflector option kit redirects soundwave
reflections when microphones need to be placed in front of a
WhisperRoom window.


Randy Alberts is a Montara, Calif.-based audio and music journalist.
His first book, TASCAM: 25 Years of Recording Evolution, is in final
print production; see a preview at www.opendooredit.com.

Acoustic Science

800/272-8823; 541/343-9727
www.tubetrap.com,
www.asc-soundproof.com

Acoustic Systems

512/444-1961
www.acousticsystems.com

Acoustics First

804/342-2900
www.acousticsfirst.com

Auralex Acoustics

800/959-3343; 317/842-2600
www.auralex.com

Gretch-Ken Industries/Soundsuckers.com

888/833-1554; 541/322-1908
www.soundsuckers.com

Markertek

800/522-2025; 845/246-3036
www.markertek.com

Primacoustic/CableTek

604/942-1001
www.primacoustic.com

RPG Diffusor Systems

301/249-0044
www.rpginc.com

Taytrix

201/222-2826
www.taytrix.com

VocalBooth.com

541/330-6045
www.vocalbooth.com

Wenger Corp.

800/733-0393; 507/455-4100
www.wengercorp.com

WhisperRoom

800/200-8168; 423/585-5827
www.whisperroom.com

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