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Monitor engineer Ian Beveridge (right, with Worthen) is mixing on a mostly maxed-out Yamaha PM1D, using 80 or 90 inputs and close to 48 mixes.


© Photo: Steve Jennings


Monitor engineer Ian Beveridge (right, with Worthen) is mixing on a mostly maxed-out Yamaha PM1D, using 80 or 90 inputs and close to 48 mixes. 







Drummer Taylor Hawkins’ kit is miked with all Sennheiser: 901s, 908s, 609s, 604s and 614s.Bassist Nate MendelMonitor engineer Ian Beveridge (right, with Worthen) is mixing on a mostly maxed-out Yamaha PM1D, using 80 or 90 inputs and close to 48 mixes.The main stage (above) uses four hangs of L-Acoustics V-DOSC and dV-DOSC, and d&b B2 subs on the floor.Front-of-house engineer Bryan Worthen with system tech Mark Brnich, who is holding a Dolby Lake Contour table PC; additional audio crew includes guitar techs Joe Beebe and Sean Cox, bass tech Geoff Templeton and drum tech Chad Ward.


Dave GrohlDave Grohl sings through a Sennheiser 431.Guitarist Chris Shiflett (left) and touring guitarist Pat SmearStage B (right) has two hangs of  V-DOSC and dV-DOSC, four hangs of dV-DOSC and three hangs of d&b subs. Six B2 subs are located on the floor around the stage.Percussion setup for the 


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