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Monitor engineer Jim Roach gets the most out of his Digidesign VENUE D-Show, using 52 inputs and 30 outputs feeding various hard-wired and wireless in-ears, wedges and FX.



Monitor engineer Jim Roach gets the most out of his Digidesign VENUE D-Show, using 52 inputs and 30 outputs feeding various hard-wired and wireless in-ears, wedges and FX. 







Scott sings into a Neumann KMS 105. “Jill has a full stereo mix in her Future Sonics ear monitors,” says monitor engineer Jim Roach. Scott also has four wedges on two mixes: “The outer pair of wedges has a band mix, and the inner pair is just her voJill ScottJill ScottJill Scott


Bassist Dwayne “DW” WrightFront-of-house engineer Lorne Grabe (second to right, with, from left: monitor engineer Jim Roach, system tech John Gaczewski and monitor tech James Good) has been with Scott since her last European tour.Guitarist/music director Randy BowlandHorn mics include Neumann U89s on sax and trumpet, and Beyer M88 on trombone.Monitor engineer Jim Roach gets the most out of his Digidesign VENUE D-Show, using 52 inputs and 30 outputs feeding various hard-wired and wireless in-ears, wedges and FX.


Percussionist Aaron DraperBackground singers are on Neumann KMS 105s.Drum/percussion tech Detrick Lowman checks the set.According to keyboard/bass/guitar tech Corey Reeves, the guitar and bass players are the only performers who get their monitor mixes on wedges.















			



	

	


		
		
		
		
		
		
		
		
		






		
		
		
		
		

		
		
		
		
		
		    
    

    
      
    
      









    
    

    



		
		
		
		
		
		
		
		

		
		
		
		
		
		
		
		
		



	
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