Boardwalk Empire

Nov 11, 2011, By Blair Jackson

Currently in the midst of its second exciting season, the Prohibition-era drama Boardwalk Empire continues to draw plaudits from critics and large numbers of viewers to HBO. Set in Atlantic City in 1920-’21, the series follows the exploits of powerful but corrupt city treasurer “Nucky” Thompson (Steve Buscemi) and his interactions with organized crime figures of the day, federal agents intent on shutting down the city’s bootleggers and racketeers, and a wide range of fascinating characters, including prostitutes, politicians, cops and criminals of every stripe. ...

Pearl Jam 'Twenty'

Nov 1, 2011, By Blair Jackson

Seattle rockers Pearl Jam are celebrating their 20th anniversary in style—with a new music-heavy documentary, Pearl Jam Twenty, directed by Cameron Crowe, which was released briefly in select theaters, turned up on PBS in late October and is now out on DVD; a double-CD soundtrack album compiled by Crowe; and even a big, photo-filled coffee table book devoted to the group. All this from a band that has traditionally been boldly pushing forward at all times and gaining momentum with each passing year. ...

TRI Studios

Nov 1, 2011, By Blair Jackson

During their 30 years together, the Grateful Dead established themselves as audio innovators of the highest order (no pun intended). They were the first group to use top-shelf hi-fi components as part of their SR setup, and among the first to regularly employ monitor wedges. They hot-rodded everything from guitars to amplifiers to loudspeakers in search of cleaner and more powerful sound, and their justifiably legendary Wall of Sound system in the early ’70s remains a model (albeit a financially impractical one) of how to deliver pristine audio to large numbers of people. The Dead also always supported up-and-coming instrument and gear artisan, from Alembic and Doug Irwin on the guitar/bass front, to Meyer Sound loudspeakers and Gamble front-of-house and monitor boards. Guitarist Bob Weir and drummer Mickey Hart were both home studio pioneers. ...

The Rum Diary | Frogs and Fiats

Nov 1, 2011, By Matt Hurwitz

Coquis: the tiny little chirping-frog natives of Puerto Rico. In San Juan, where Bruce Robinson’s The Rum Diary was filmed, they are literally everywhere—even on the soundtrack—whether one wants them there or not. But supervising sound editor Mark Mangini (Soundelux) did want them there, just under the control of the sound department. “With the soundstages they shot in down there, they couldn’t get rid of them,” Mangini explains. “We never had a properly clean dialog track.”...

Asset Management | So Many Files

Oct 1, 2011, By Mel Lambert

It’s a common scenario. It has been decided to move forward by 10 days the final sound-editorial sessions so that the composite dialog, effects and music tracks will be ready for the first day of predubs. So the supervising sound editor brings on a swing gang of eight more editors. Where are the Pro Tools and Logic Pro sessions on the in-house server; and which interconnected WAN holds the re-edited Foley elements from Vancouver, and the last-minute ADR tracks voiced yesterday in England? Wrangling such a large number of digital audio and video files needs a steady hand, and one more vital component: a well-implemented media asset–management strategy that allows everything to be tagged and labeled, and then stored where the editorial and mixing teams can quickly find them. ...

Live Music Challenges 'Today Show' Mixer

Oct 1, 2011, By Blair Jackson

The Today Showon NBC has been the ruler of the morning network airwaves for most of the past 59 years, an incredible feat given the fickle nature of TV viewers. The show regularly attracts an audience of more than 5 million weekdays, and sometimes millions more depending on news events or the star wattage of the day’s guests. So it’s no surprise that The Today Showhas long been a coveted destination for show-business personalities, from actors wanting to promote their films to musicians pushing their latest project. ...

Editor's Note: Sound and Picture

Sep 1, 2011, By Tom Kenny, Editorial Director

We’ve seen this happen before, with a medium birthed on audio giving way to dominance by video. It happened in broadcast, where radio—the original WiFi, albeit one-way—was overtaken by television, and later cable, on the news and drama front, then decades later by MTV on the music front. In broad and simple terms, you can replace broadcast with Internet/mobile, and plug in Napster for radio and YouTube, a seemingly legal peer-to-peer for video, and you can see the parallels. Only this time, it didn’t take video 30 to 40 years to assert itself; it simply required more bandwidth and greater storage, and then it seemingly happened overnight. ...

Film Mixers on the Move

Sep 1, 2011, By Tom Kenny

It was a summer of musical chairs in Hollywood as a couple of high-end post facilities announced the hiring of A-list recording mixers to their teams. In July, Technicolor announced the hiring of Scott Millan and Greg P. Russell as its theatrical sound mixing duo for the company’s new sound mixing stages located at Paramount Studios. Meanwhile, Michael Keller has returned to leading independent sound company Todd-AO in Hollywood, and will team with re-recording mixer Mike Prestwood Smith. Keller has mixed more than 75 films, including Oliver Stone’s Wall Street: Money Never Sleeps, Roland Emmerich’s 2012 and Quentin Tarantino’s Death Proof. Keller and Prestwood Smith are currently mixing Abduction for director John Singleton and Lionsgate. ...

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The Mix Regional section for Mix's July 2014 issue focuses on Atlanta. Send us your studio news: updates, sessions, new rooms, club performances and installations. Let the Mix audience know what is going on! Send photos and descriptions to mixeditorial@nbmedia.com.




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