Interactive TelevisionApr 1, 2002, by Gary S. Hall If you listen to the hype, interactive television is already here. It is, after all, now possible for viewers to vote on alternate endings, participate... Composer Glover GillApr 1, 2002, By Sarah Benzuly Glover Gill doesn't use Sonic Foundry's Acid or Coda Music Technology's Finale when he sits down (or stands, as sometimes is the case) to compose; in... MEANWHILE, ON THE SCORING STAGEApr 1, 2002, By Maureen Droney For the Panic Room orchestra sessions at Sony Pictures' scoring stage, Paul Levy, owner of L.A.'s Advanced Audio, designed a Fibre Channel SAN (Storage... Trapped in the Panic RoomApr 1, 2002, By Blair Jackson A woman. Her preteen daughter. A giant old Manhattan brownstone. A rainy night. Three dangerous thugs want something valuable inside the house and will... Amadeus: The Director's CutMar 1, 2002, By Blair Jackson If you haven't seen Milos Forman's Amadeus for a number of years, it's easy to forget what a great film it is. In a hazy memory, you probably recall the... The Bake-OffMar 1, 2002 Every year, in the first week of February, the members of the Sound Branch of the Academy of Motion Picture Arts & Sciences gather at the Academy Theater... The Shipping NewsFeb 1, 2002, By Tom Kenny It's a truism these days in all worlds audio: Those who produce are working in the highest resolution possible, while those who consume often seem to... Composer Spotlight: Richard WolfJan 1, 2002, By David John Farinella Richard Wolf has some unconventional assistance while he composes music for the new WB Network animated television program Static Shock. When I get the... Hottest New VideoMost Popularadvertisement PollsOn Demand Webcast:
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