THE SCORE: INTERVIEWS WITH FILM COMPOSERS

Feb 1, 2000, Kimberly Chun

Concert composer Michael Schelle may have never written music for film, but after penning his most recent book, it's safe to say he knows the score.The...

SOUND FX FOR "SLEEPY HOLLOW": HEADS WILL ROLL, HORSES WILL RUN

Dec 1, 1999, Tom Kenny

A Tim Burton movie would seem on the surface to be a sound editor's playpen-stylized imagery, dark characters, evocative settings. Whether it's the scissor...

SCORING FOR THE BIGGEST SCREEN: STEVE WOOD CLIMBS "EVEREST" AND SWIMS TO THE BOTTOM OF "THE LIVING SEA"

Nov 1, 1999, Robyn Flans

The first time composer/engineer Steve Wood wrote for orchestra, he had to purchase a one-month pass to his chiropractor. No joke. His back went out before...

NEW YORK POST: SURROUNDED BY PRIME TIME

Oct 1, 1999, Eric Rudolph

It doesn't take an insider to see that the New York post-production industry is booming. New shops are opening up, commercial mixing facilities are moving...

Sound for Fosse and Annie Get Your Gun

Oct 1, 1999, Mark Frink

Because so many in our little industry gather in the Big Apple for the October AES convention, I decided it would be appropriate to profile two of the...

Leslie Ann Jones: DOING IT ALL

Aug 1, 1999, Maureen Droney

A master of the art in the classic sense, Leslie Ann Jones is, first and foremost, a truly musical engineer. Highly respected by her peers, she's the...

STAR WARS EPISODE I: THE PHANTOM MENACE

May 1, 1999, Walter Murch

In 1977, in a galaxy very close to home, Star Wars changed the way movies are made and released, ushering in the age of the Big Sound blockbuster and...

Scoring for Film

Feb 1, 1999, Rick Clark

Some of the greatest themes in film music-like "Lara's Theme" from Dr. Zhivago or "Also Sprach Zarathustra" from 2001: A Space Odyssey-have cemented key...

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