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Roland VS-2480

	
Feb  1, 2002, 
	BY GARY S. HALL
	
	

	
	
With the VS-2480, Roland makes a concerted bid to define the current, state-of-the-art, integrated recording/mixing systems. It's an impressive showing,...

	





	
TC|Works Spark XL

	
Feb  1, 2002, 
	BY ERIK HAWKINS
	
	

	
	
The newest version of Spark by TC|Works, Spark XL, packs more than enough improvements and features to warrant the label in its name. I first tested Spark...

	





	
Antares Auto-Tune 3

	
Feb  1, 2002, 
	BY MICHAEL COOPER
	
	

	
	
Available in both software and hardware versions, Auto-Tune corrects the intonation of vocals and instruments, resulting in sweeter-sounding tracks and...

	





	
Snapshot Product Reviews

	
Jan  1, 2002
	
		
	

	
	
MANLEY 162Rackmount Mixer Leave it to EveAnna Manley and her chief designer, Hutch, to destroy the concept of the line mixer. They got this one all wrong....

	





	
Coda Music Technology Finale 2002

	
Jan  1, 2002, 
	BY LAURA FORLIN
	
	

	
	
For years, Coda's Finale has been the program of choice for publishers, music copyists and composers. Although Finale's earlier versions were difficult...

	





	
Native Instruments Absynth

	
Jan  1, 2002, 
	BY BARRY RUDOLPH
	
	

	
	
Native Instruments' Absynth exploits the vast potential of computer-based, virtually modeled analog synthesis. Synthesizer sound-generation techniques,...

	





	
Propellerheads ReCycle 2.0

	
Jan  1, 2002, 
	BY DAVE HILL JR.
	
	

	
	
In 2001, the Propellerheads software team released the virtual, modular rack synthesizer/sampler/sequencer/drum machine combo Reason 1.0, and a sweeping...

	





	
BSS Minidrive

	
Jan  1, 2002, 
	BY MARK FRINK
	
	

	
	
BSS introduced the DSP-based Omnidrive Loudspeaker Management System in 1994, and has since developed a comprehensive family of Omnidrive products, all...

	





	
Shure KSM27

	
Jan  1, 2002, 
	BY BARRY RUDOLPH
	
	

	
	
I can't help but feel the love from a company that broadens its product line by offering a lower-priced model that could directly compete with its existing...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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