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Field Test: Sony Media Software ACID Pro 6

	
Aug  1, 2006, 
	By David Weiss
	
	

	
	
Sony has never been shy about updating ACID, the company's workhorse program for PC. The recent release of ACID 6 hot on the heels of last year's 5 update...

	





	
Field Test: Yamaha AW2400 24-Track Hard Disc Recorder

	
Aug  1, 2006, 
	By Jason Scott Alexander
	
	

	
	
Yamaha knows a thing or two about building personal digital audio workstations. In 2001, the company launched its AW Series, which was largely based on...

	





	
Field Test: Steinberg WaveLab 6 Audio Editing Suite

	
Aug  1, 2006, 
	By Jim Aikin
	
	

	
	
Calling Steinberg's WaveLab an audio editor would be an oversimplification because it's a high-end suite of tools for massaging, compositing and archiving...

	





	
Field Test: Anthony Gallo A'Diva Ti Speakers, TR-2 Sub

	
Aug  1, 2006, 
	By Joe Hannigan
	
	

	
	
New from Anthony Gallo Acoustics, the A'Diva Ti loudspeaker (with companion TR-2 subwoofer) is the newest product in an acclaimed line of audiophile speakers....

	





	
Field Test: Waves MaxxBCL Signal Processor

	
Jul  1, 2006, 
	By Kevin Becka
	
	

	
	
Although Waves is mainly considered to be a software company, it has occasionally released hardware that has been well-received in the industry, such...

	





	
Field Test: IK Multimedia Classik Studio Reverb

	
Jul  1, 2006, 
	By Barry Rudolph
	
	

	
	
From Modena, Italy, comes IK Multimedia's Classik Studio Reverb, or CSR plug-in bundle. This is a solid collection of four reverbs that every music mixer,...

	





	
Field Test: Algorithmix reNOVAtor Spectral Editor

	
Jul  1, 2006, 
	By Joe Hannigan
	
	

	
	
ReNOVAtor is one of five programs in a suite of serious audio restoration/mastering tools from Algorithmix. (The others are ScratchFree, NoiseFree, LinearPhase...

	





	
Field Test: Sony PCM-D1 Handheld Recorder

	
Jul  1, 2006, 
	By Rick Spence
	
	

	
	
Sony's strong background in broadcast is showing in a handsome field recorder that will please ENG pros and recording folks alike. The Sony PCM-D1 portable...

	





	
Field Test: Eventide H7600 Ultra-Harmonizer Processor

	
Jul  1, 2006, 
	By Barry Rudolph
	
	

	
	
Eventide, one of the founding companies of digital audio effects for professionals, has introduced the 24-bit/96kHz H7600 Ultra-Harmonizer effects processor....

	





	
Field Test: Royer R-122V Tube Ribbon Mic

	
Jun  1, 2006, 
	By Kevin Becka
	
	

	
	
At the past five or so AES shows, Royer's booth featured a mic with a larger-than-normal gold body. It was introduced as the company's one-off tube ribbon...

	





	
Field Test: TC-Helicon VoicePro Voice Processor

	
Jun  1, 2006, 
	By Michael Cooper
	
	

	
	
The best gear is often focused on a specific design goal instead of trying to handle every task imaginable. To that end, the TC-Helicon VoicePro was deliberately...

	





	
Field Test: A-Designs Audio Pacifica Microphone Preamp

	
Jun  1, 2006, 
	BY JOE HANNIGAN
	
	

	
	
For recording engineers who are in a retro state of mind, A-Designs Audio has created a stereo preamp that emulates the tonal character and quality of...

	





	
Field Test: Lynx Studio Technology Aurora 16

	
Jun  1, 2006, 
	By K.K. Proffitt
	
	

	
	
Combining flexibility with its moderate price ($3,295 list) and high-quality AD/DA conversion, the Lynx Aurora continues the traditions of a company known...

	





	
Field Test: Celemony Melodyne 3 Audio Editing Software

	
Jun  1, 2006, 
	By Jim Aikin
	
	

	
	
If you need to edit audio as flexibly as you edit MIDI, you're going to love Celemony's Melodyne. It can correct the pitch of vocals with surgical accuracy,...

	





	
Field Test: Buzz Audio MA 2.2 TX Class-A Mic Pre

	
Jun  1, 2006, 
	By Michael Cooper
	
	

	
	
Buzz Audio might not be a familiar name to recording engineers in the U.S., but the New Zealand based pro audio manufacturer has been cranking out high-end...

	





	
Correction

	
Jun  1, 2006
	
		
	

	
	
In last month's DPA 4091 Field Test, Fred Aldous used the Holophone to capture Super Bowl XXXIX and not NASCAR. Mix regrets the error....

	





	
Field Test: Focusrite Saffire FireWire Audio Interface

	
May  1, 2006, 
	By Jason Scott Alexander
	
	

	
	
Focusrite has extended its reach into the DAW I/O market with a 410, 24-bit/192kHz interface featuring dual-classic Focusrite preamp paths, hardware-side...

	





	
JazzMutant Lemur Control Surface

	
May  1, 2006, 
	By Jim Aikin
	
	

	
	
Whether you're mixing or performing, a hardware control surface is a wonderful thing. But hardware is not flexible. Hardware that could magically morph...

	





	
Field Test: Digidesign Pro Tools HD 7 Software

	
May  1, 2006, 
	By Barry Rudolph
	
	

	
	
Pro Tools HD 7 (Mac OS X and Windows XP) is an elegant and refined workstation upgrade that combines greatly enhanced processing capabilities with tighter...

	





	
Field Test: BIAS Peak Pro XT 5 Bundle

	
May  1, 2006, 
	By Jason Scott Alexander
	
	

	
	
BIAS Peak has established itself as a top stereo audio editing and mastering application on the Mac for many years. Five generations in, a host of new...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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