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	Recording: Mastering




		

		  

		    

			












	
The Resolution Project

	
Oct  1, 2005, 
	By KK Proffitt
	
	

	
	
In the past few years, one of the most hotly debated topics on pro audio Internet forums has been high-resolution audio and its effect (or lack of) on...

	





	
Remarkable Restorations

	
Oct  1, 2005, 
	By Blair Jackson
	
	

	
	
It's hard to beat a really good CD box set one that is comprehensive, aesthetically pleasing, historically illuminating and sonically successful. It is...

	





	
Breaking the Mold

	
Jun  1, 2005, 
	Compiled by Sarah Benzuly
	
	

	
	
Bruce Maddocks, chief engineer/owner of Cups N Strings (Santa Monica, Calif.), met with The Mountain Apple Company (Waikiki), which contracted Maddocks...

	





	
Marcussen Mastering Sparkles With Powder

	
Jan  1, 2005, 
	Compiled by Heather Johnson
	
	

	
	
band Powder (www.powdermusic.com) dropped by Marcussen Mastering in Hollywood, Calif., to wrap up their forthcoming Continental Records release with engineer...

	





	
Dubliners Get Baked in L.A.

	
Dec  1, 2004, 
	Compiled by Sarah Benzuly
	
	

	
	
Ireland-based The Dubliners visited L.A.-based Cups 'N Strings to restore their multitrack analog masters (recorded between 1975 and 1983 at various studios...

	





	
The Hidden Sony Masters

	
Dec  1, 2004, 
	By David Weiss
	
	

	
	
It's hard to hide when you're a music industry giant, but Sony Mastering has done a great job of just that for at least a decade. As with the other divisions...

	





	
Demand for Mastering Shows in New Rooms

	
Dec  1, 2004, 
	Compiled by Sarah Benzuly
	
	

	
	
TRUTONE, NEW YORK CITY Co-developed by John Storyk of Walters-Storyk Design Group, Trutone's mastering studio on West 44th Street in New York City the...

	





	
Airshow Mastering

	
Dec  1, 2004, 
	By Barbara Schultz
	
	

	
	
You've probably seen Airshow Mastering in the pages of Mix before. Glamour shots of the company's freshly designed studios showcase cutting-edge gear...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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