Notes From the P&E WingFeb 1, 2007, By Mark Rubel If someone asks you what you do, you're likely to say, I make records, or I mix concerts. After all, it's a natural tendency for us to focus on external... Breaking the RulesFeb 1, 2007, George Petersen Executive Editor History is filled with cases of inventions that either happened by accident or yielded results that were far from the original intent. In 1928, researcher... Recording WildFeb 1, 2007, By Sarah Jones FIDDLERS ON THE ROOF Last year was my fourth year working as a research SCUBA diver in the U.S. Antarctic Program. I was also moonlighting as producer,... Virtual Instruments—Virtually ThereJan 1, 2007, By Paul D. Lehrman This month, I expect to be helping to cut the ribbon on a brand-new lab in a brand-new music building at my school. It will be equipped with a dozen Intel... The Inside Track: Mixing DrumsJan 1, 2007, By Kevin Becka Mix is proud to introduce a new article series for 2007: the Inside Track, a bi-monthly feature by Mix technical editor Kevin Becka that explores the... Jim AbbissJan 1, 2007, By Paul Tingen In recent years, Jim Abbiss has stepped into the limelight as the producer of a string of hit records by mainly young and trendy British bands. Most notably,... Guitar DistortionJan 1, 2007, By Eddie Ciletti If you have ever felt that guitars are bullying the vocals and the drums, then it's time to take a closer look at those subtly subversive guitar multi-effects... Nashville SkylineJan 1, 2007, By Rick Clark When one thinks of Nashville music, world beat, fusion and new age don't readily come to mind. But as the city's artistic and recording communities have...
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