Sylvia Massy Shivy's RadioStar Studios

Aug 1, 2006, By Jeff Forlenza

Snow is falling on Weed, the tiny logging town at the foot of Mount Shasta in Northern California. Inside a 90-year-old structure formerly known as the...

The Pre-Production Payoff

Aug 1, 2006, By Blair Jackson

In the way olden days pre-Pet Sounds and Revolver pre-production was a fairly well-defined process. It involved choosing material for a group or artist,...

Guerrilla Remote

Aug 1, 2006, By Eddie Ciletti

Remote audio comes in many flavors, and aptly describes this sonic challenge. Getting to the next level is like playing a videogame where experience counts:...

SPL Transient Designer

Aug 1, 2006, By Michael Cooper

I wouldn't dream of recording drums in my studio without my SPL Transient Designer 4 (TD4). Boosting its attack controls on drum tracks can give kick,...

David Paich's ATS

Jul 1, 2006, By Gary Eskow

You grow up in Los Angeles the son of a widely respected jazz piano player and successful arranger, start grabbing for the keyboard before you're even...

Two Hearts

Jul 1, 2006, By Paul D. Lehrman

Music is one of the most powerful forms of communication the human race has come up with. When it comes to sending purely emotional messages of joy, despair,...

T Bone Burnett

Jul 1, 2006, By Blair Jackson

I've been rooting for T Bone Burnett to succeed almost as long as I've been writing about music. Back in 1977, I fell in love with the music of a Los...

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Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.




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