Rick DiFonzoApr 1, 2003, BY GARY ESKOW You've played screaming guitar solos before the largest audience in entertainment history, tracked some tasty acoustic solos for a picky client named... The Time TunnelApr 1, 2003, Eddie Ciletti My first encounter with the EMT-156 dates back to 1982, when I was wrapping up a project with Bay Area band The Mutants (as produced by the late Snakefinger)... Bob BrockmanApr 1, 2003, BY BLAIR JACKSON There are nearly as many different routes to becoming a music producer as there are producers. Some are born into musical families, where choosing a career... Cardioid-Carrying MemberMar 1, 2003, BY EDDIE CILETTI In my January column, I touched on four variables of low-frequency perception: the Equal Loudness Curve for humans; loudness controls found on consumer... DisturbedMar 1, 2003, By Elianne Halbersberg Few could have predicted that Disturbed's debut album, The Sickness, would turn the Chicago band into a multi-Platinum international success. But by the... L.A. GrapevineMar 1, 2003, by Maureen Droney Record One Studios started off the new year with some cool B.B. King sessions in Studio B, engineered by Don Murray and produced by Simon Climie, the... Double Your Bits, Double Your FunMar 1, 2003, BY OLIVER MASCIAROTTE Mix takes a look at one of the most basic questions a budding audio novice asks: "Mommy, why do we need 24 bits when our hearing's only 20?"... The Quest for PowerMar 1, 2003, by Ned Mann We all want more power. Admit it. When it comes to the gear we all lust after whether it's a Massenburg EQ or the hottest new plug-in it never seems to...
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