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Double Your Bits, Double Your Fun

	
Mar  1, 2003, 
	BY OLIVER MASCIAROTTE
	
	

	
	
Mix takes a look at one of the most basic questions a budding audio novice asks: "Mommy, why do we need 24 bits when our hearing's only 20?"...

	





	
The Quest for Power

	
Mar  1, 2003, 
	by Ned Mann
	
	

	
	
We all want more power. Admit it. When it comes to the gear we all lust after whether it's a Massenburg EQ or the hottest new plug-in it never seems to...

	





	
Nashville Skyline

	
Mar  1, 2003, 
	by Rick Clark
	
	

	
	
Twenty minutes east of Nashville is WireWorld, the domain of hard rock producer/engineer/mix master Michael Wagener. During the '80s and beginning of...

	





	
Signal Processing and Methods in Surround Mixing

	
Mar  1, 2003, 
	BY BARRY RUDOLPH
	
	

	
	
Mix talked to eight professional surround engineer/producers about signal processing in surround. Here's what they had to say....

	





	
Classic Tracks: The MC5's "Kick Out the Jams"

	
Mar  1, 2003, 
	By Rick Clark
	
	

	
	
One band that distilled the brutal essence of rock's primal roar to its most fearless, floor-shaking manifestation was the Motor City Five, better known as The MC5. By the time they signed with Elektra, The MC5 became legendary throughout the Midwest for their incendiary live shows......

	





	
Surround Variations

	
Mar  1, 2003, 
	By Blair Jackson
	
	

	
	
Just as every stereo recording project is unique in some way, surround recording and mixing present certain variables and peculiarities. Recently, we...

	





	
Chris O'Brien

	
Mar  1, 2003, 
	BY GARY ESKOW
	
	

	
	
Chris O'Brien... a drummer, programmer and composer, O'Brien has handled synth chores for the likes of Michael Jackson, Amy Grant and Lionel Richie. He also keeps busy writing cues for Entertainment Tonight and General Hospital, and banging the kit for numerous sessions....

	





	
Bryan Ferry Frantic?

	
Mar  1, 2003, 
	By Bryan Reesman
	
	

	
	
Throughout his three-decade recording career, elegant crooner Bryan Ferry has continually broken rules in search of his own musical nirvana. The debonair,...

	






            
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		Plug-ins are in use almost every day in any music production. What's your go-to plug-in? What's the oddest use you've put a plug-in into effect? E-mail the staff at mixeditorial@mixonline.com.












		
		
		
		
		

		
		
		
		
		
		
		
		
		
		
		
		





	







		
		


	

	





						

		

		

			
			
			
			
			
			
			    
    

    
      
    
      








    
    

    

			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			



			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			
			










	
	






	
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